A Bird of Passage, and Other StoriesHarraden, Beatrice
General
A Bird of Passage, and Other Stories
Harraden, Beatrice
English fiction -- 19th century; Short stories, English
But occasionally, when she least expected it, he would speak with
glowing enthusiasm on art; then his eyes seemed to become bright, and
his bent figure more erect, and his whole bearing proud and dignified.
There were times, too, when he would speak on other subjects; on the
morality of free thought, and on those who had died to indicate free
thought; on Bruno, of blessed memory, on him, and scores of others too.
He would speak of the different schools of philosophy; he would laugh at
himself, and at all who, having given time and thought to the study of
life’s complicated problems, had not reached one step farther than the
old world thinkers. Perhaps he would quote one of his favorite
philosophers, and then suddenly relapse into silence, returning to his
wonted abstraction, and to his indifference to his surroundings. Helen
Stanley had learned to understand his ways, and to appreciate his mind,
and, without intruding on him in any manner, had put herself gently into
his life, as his quiet companion and his friend. No one, in her
presence, dared to speak slightingly of the old man, to make fun of his
tumble-down appearance, or of his worn-out silk hat with a crack in the
side, or of his rag of a black tie, which, together with his overcoat,
had "seen better days." Once she brought her needle and thread, and
darned the torn sleeve during her lunch time; and though he never knew
it, it was a satisfaction to her to have helped him.
To-day she noticed that he was painting badly, and that he seemed to
take no interest in his work; but she went on busily with her own
picture, and was so engrossed in it that she did not at first observe
that he had packed up his brushes, and was preparing to go home.
"Three more strokes," he said quietly, "and you will have finished your
picture. I shall never finish mine. Perhaps you will be good enough to
set it right for me. I am not coming here again. I don’t seem to have
caught the true expression; what do you think? But I am not going to let
it worry me, for I am sure you will promise to do your best for me.
See, I will hand over these colors and these brushes to you, and no
doubt you will accept the palette as well. I have no further use for
it."
Helen Stanley took the palette which he held out toward her, and looked
at him as though she would wish to question him.
"It is very hot here," he continued, "and I am going out. I am tired of
work."
He hesitated, and then added: "I should like you to come with me, if you
can spare the time."
She packed up her things at once, and the two friends moved slowly away,
he gazing absently at the pictures, and she wondering in her mind as to
the meaning of his strange mood.
When they were on the steps inside the building, he turned to Helen
Stanley and said:
Public-domain text, read in full here on John Shaqi.
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