A Book of Burlesque: Sketches of English Stage Travestie and Parody — John Shaqi
A Book of Burlesque: Sketches of English Stage Travestie and ParodyAdams, William Davenport
History
A Book of Burlesque: Sketches of English Stage Travestie and Parody
Adams, William Davenport
Burlesque (Literature); English literature -- History and criticism; Parody
The origin of "Riquet with the Tuft" is to be found in Perrault's
"Contes de ma Mère l'Oye." Planché went to the same source for his
"Puss in Boots: an original, comical, _mews_-ical fairy burletta"
(Olympic, 1837), in which Charles Mathews was an incomparable Puss,
with Bland as Pumpkin the Prodigious, Vestris as the Marquis of
Carabas, and Brougham as a very Irish ogre. In this there was a good
deal of prose dialogue, of which the following scene between Puss and
the three maids-of-honour may be taken as a diverting specimen:--
_Chatterina._ You're in the army, I presume?
_Puss._ No, ma'am.
_Chatt._ Why, you wear moustaches.
_Puss._ Yes, ma'am, yes; but that's because--because I can't help it,
you see. I belong to a club, and all the members are obliged to wear
them.
_Chatt._ What club?
_Puss._ It's a sort of Catch Club.
_Arietta._ What, musical?
_Puss._ Very.
_Ari._ And where do you meet?
_Puss._ We meet alternately upon each other's roof.
_Skipperella._ _Upon_ each other's roof?--that's quite a new step.
_Puss._ I beg pardon, did I say _upon_? I meant _under_.
_Ari._ You can sing, then?
_Puss._ I can squall a little, _à la_ Cat-oni.
_Ari._ Who taught you?
_Puss._ Cat-alani.
_Skip._ And dance, too?
_Puss._ I remember the time when I would have run anywhere after a
ball.
_Skip._ What is your favourite dance?
_Puss._ The Cat-alonian Cat-choucha.
_Chat._ Well, never mind about singing and dancing; suppose we fix
upon some game to pass away the time, at which we can all play?
_Ari._ I'm content.
_Skip._ And I.
_Puss._ And I. What shall it be?
_Chat._ "Puss in the Corner."
_Puss._ No, no, I don't like that.
_Chat._ Choose one yourself, then.
_Puss._ My favourite game is "Cat's Cradle."
_All._ Oh no, we can't bear that!
_Chat._ Come, name another from your catalogue.
_Puss_ (_aside_). Cat-alogue! They grow personal!
The subject of "Puss in Boots" was afterwards handled by H. J.
Byron.[19] In this case we find the monarch of the piece called
Noodlehead IX.; the Princesses are named Biddi, Coobiddi, and
Chickabiddi; and there are two woodcutters called Gnarl and Knot. The
puns in the dialogue on the word _cat_ are even more numerous than in
the older piece, and somewhat more varied. As thus:--
[19] At the Strand in 1862, with Rogers, Clarke, Miss A. Swanborough,
Miss C. Saunders, Miss F. Josephs, and Miss F. Hughes in the principal
parts. The full title of the piece was "Puss in a New Pair of Boots."
_Will._ What! left his youngest child, a cat!
_Bob._ It's true.
_Will._ Well, that's a _feline_ sort of thing to do.
Again:--
_Cat._ I am, as you perceive, sir, an I-_tale_-ian,
But never scratch my friends, though I'm an n_ailey'un_;
It's only foes that ever raise my fur.
Public-domain text, read in full here on John Shaqi.
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