A Decade of Italian Women, vol. 1 (of 2)Trollope, Thomas Adolphus
History
A Decade of Italian Women, vol. 1 (of 2)
Trollope, Thomas Adolphus
Italy -- Biography; Women -- Biography
Catherine are like the worst description of the pulpit eloquence of
her day and country. Low and gross as the taste and feeling of the age
were, especially in matters spiritual and theological, it is difficult
to imagine that Catherine could have gained any part of the great
reputation and influence she undeniably exercised in high places from
this production. The reader may see from the following passage, taken
quite at haphazard from its pages, whether his impression on this point
agrees with that of the writer.
Catherine dictates these sentences as hearing them word for word as she
repeats them, from the mouth of God!
"Know, O daughter! that no one can escape from my hands, because I am
He, who I am; and ye do not exist by yourselves, but only in so far
as ye are created by Me, who am the Creator of all things that have
existence, except only Sin, which does not exist, and therefore has
not been created by me. And because it is not in me, it is not worthy
of being loved. And therefore the Creature offends, because he loves
that which he ought not to love, which is sin, and hates Me, whom he
is bound and obliged to love; for I am supremely good, and have given
him existence by the so ardent fire of my love. But from Me men cannot
escape. Either they fall into my hands for justice on their sins, or
they fall into my hands for mercy. Open therefore the eyes of your
mind, and look at my hand, and you will see that what I have said to
you is the truth." _Then she raising her eyes in obedience to the
supreme Father_, "_saw_ enclosed in his hand the entire universe," &c.,
&c.[24]
It is evident, that this could not have been written from the Saint's
dictation. But the work may have been composed from notes taken down
while she poured forth her trance-talk. And such an hypothesis would
not be incompatible with Oudin's supposition, that the book, as we
have it, was composed by Father Raymond. In any case the staple of
its contents, if not inferior to the generality of the theological
literature of the time, shows at least no such superiority to it as
to place the author in the high and exceptional position Catherine is
proved to have occupied.
Public-domain text, read in full here on John Shaqi.
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