A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
[64] MARIETTE, _Itinéraire_, p. 179. The pavement of the great
temple is now about six feet below the general level of the
surrounding plain.
At the time when Karnak was built there were in the country buildings
which were from ten to fifteen centuries old, to which the architects
of the time might have turned for information upon doubtful points. In
them the gradual rising of the valley level must have been clearly
shown. This want of foresight need cause us, however, no great
surprise; but it is otherwise with the carelessness of the architects
in arranging their plans, and in failing to compel the workmen to
follow those plans when made. "Except in a few rare instances," says
Mariette, "the Egyptian workman was far from deserving the reputation
he has gained for precision and care in the execution of his task.
Only those who have personally measured the tombs and temples of Egypt
know how often, for instance, the opposite walls of a single chamber
are unequal in height."[65]
[65] MARIETTE, _Les Tombes de l'Ancien Empire_, p. 10.
The custom of building as fast as possible and trusting to the painted
decoration for the concealment of all defects, explains the method
most usually taken to keep the materials together. The system of using
large dressed stones made the employment of mortar unnecessary. The
Greeks, who used the same method and obtained from it such supreme
effects, put no mortar between their stones. Sometimes they were held
together by tenons of metal or wood, but the builder depended for
cohesion chiefly upon the way in which his materials were dressed and
fixed. The two surfaces were so intimately allied that the points of
junction were almost invisible. The Egyptians were in like manner able
to depend upon the _vis inertiæ_ of their materials for the stability
of their walls, and their climate was far better fitted even than that
of Greece for the employment of those wooden or metal tenons which
would prevent any slipping or settlement in the interior of the
masonry. The dangers attending such methods of fixing would thus be
reduced to a minimum. "In consequence of a dislocation in the walls
caused by the insufficiency of the foundations, it is possible, at
several points of the temple walls at Abydos, to introduce the arm
between the stones and feel the sycamore dovetails still in place and
in an extraordinary state of preservation. A few of these dovetails
have been extracted, and, although walled in for eternity so far as
the intentions of the Egyptians were concerned, they bear the royal
ovals of Seti I., the founder of the temple, the hieroglyphs being
very finely engraved."[66]
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