One of the earliest and most curious prose works in the Bohemian language is the singular dialogue known as _Tkadleček the Weaver_. The book was one of the first that were printed when the revival of the Bohemian literature in the present century began. It was published by Wenceslas Hanka[22] in 1824, and was greatly admired. Recently the value of the book has, I think, been unduly depreciated. It certainly abounds with affectations and conceits such as were usual in the literature of most countries at the time--about 1407--when the book appeared; yet the complaints of the lover sometimes reveal a touch of real passion, and the style is generally fluent and lively. The monotony and the repetitions for which the lovers' long speeches are blamed are no peculiarity of the _Weaver_ but rather are ever inherent to the speech of the discarded and distressful lover. Far inferior to the speeches of the lover are the answers of the personified Misfortune to whom he addresses his complaint. Of the author of this very interesting work little is known. His Christian name was Ludvik, and he represents himself as being himself the discarded lover who addresses his complaint to Misfortune. He adopted the name of the Weaver, being, as he writes, "a weaver of learned lines." He was, according to recent research, not a nobleman of the Bohemian court, as had been formerly supposed, but a literary man who was in the service of the Dowager-Queen Elizabeth at Königgrätz, employed as a "writer" in some not clearly defined position. While it thus appears that the Weaver was a man of comparatively humble position, a more thorough study of the book has also proved that the fair Adlička, who had forsaken him to marry another, was not, as has been written, "one of the beauties of the Bohemian court," but that she was (as her lover indeed himself tells us) employed at that court as a "topička" (literally, lighter of fires), a word that we must reluctantly translate by "housemaid". Ludvik is, therefore, yet another instance of the facility with which a literary man idealises his mistress. It has been proved in recent years that the _Weaver_ in many respects resembles a somewhat earlier German book entitled _Der Ackermann aus Beheim_, which dates from the year 1399. Without entering into the controversy that has arisen on this subject, it will be sufficient to state that the _Weaver_ is not an adaptation, far less a translation of the German work, though there are certainly many resemblances between the two books. It may be interesting to quote part of one of the laments which the Weaver addresses to Misfortune. He thus expresses his grief: "After a loss a man often incurs mockery; the sorrow of others is to many an object of ridicule, such as thou hast bestowed on me, O unfortunate Misfortune! Through thee this has happened to me, the unhappy and thrice unhappy weaver. This all know and feel, this they fully understand. For already have all said