A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxy — John Shaqi
A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxySaintsbury, George
History
A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxy
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
It is not at all improbable that _Poetics_ in one form or another, both
Italian and “Tedescan,” may exist in MSS. of this period: [Sidenote:
_Augustinus Olmucensis: his_ Defence of Poetry.] there is certainly
work, even in print, of which very little notice has been taken
hitherto. For instance, a few months ago my friend Mr Gregory Smith saw
in a catalogue, bought, and very kindly lent to me, a _Dialogus in
Defensionem Poetices_, printed at Venice in 1493, and written by a
certain Augustinus Moravus Olmucensis.[31] This writer’s family name in
vernacular appears to have been Käsenbrot; and he was one of the early
German Humanists whose most famous chiefs were Reuchlin earlier, Conrad
Celtes and Eobanus Hessus later, who achieved much tolerable verse, and
in the _Epistolæ Obscurorum_ one immortal piece of prose, but who were
whelmed in the deluge of the Reformation struggles, and accomplished
little of the good which they might have done to Germany. The
_Dialogus_—which has the perhaps not quite accidental interest of having
appeared in the year between the writing of Savonarola’s somewhat
dubious backing of Poetry, and the first printing of Boccaccio’s
uncompromising and generous championship thereof—cannot be said to be of
much intrinsic importance. The author gives, or rather adopts, the
definition of Poetry as “a metrical structure of true or feigned
narration, composed in suitable rhythm or feet, and adjusted to utility
_and_ pleasure.” But his text is rather rambling. A parallel with
Medicine (the piece seems to have been written at Padua, which helps it
to its place here) is not very well worked out, and the latter part is
chiefly occupied with rather dull-fantastic allegorisings of the stories
of Tiresias, the Gorgons, the geography of Hades, and so forth. Still it
is a sign, and welcome as such.
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Footnote 31:
A fellow-citizen and contemporary printer generally appears in
biographical dictionaries under the heading “Olmucensis.” The history
of Olmütz, by W. Müller (Vienna, 1882), has not come in my way, so I
do not know whether Augustinus appears there. The _Dialogus_ is duly
in Hain, but has not, I think, been much noticed by literary
historians.
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Public-domain text, read in full here on John Shaqi.
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