A History of Sanskrit LiteratureMacdonell, Arthur Anthony
History
A History of Sanskrit Literature
Macdonell, Arthur Anthony
Sanskrit literature -- History and criticism
The universe appeared to the poets of the Rigveda to be divided
into the three domains of earth, air, and heaven, a division perhaps
also known to the early Greeks. This is the favourite triad of the
Rigveda, constantly mentioned expressly or by implication. The solar
phenomena are referred to heaven, while those of lightning, rain, and
wind belong to the air. In the three worlds the various gods perform
their actions, though they are supposed to dwell only in the third,
the home of light. The air is often called a sea, as the abode of
the celestial waters, while the great rainless clouds are conceived
sometimes as rocks or mountains, sometimes as the castles of demons
who war against the gods. The thundering rain-clouds become lowing
cows, whose milk is shed and bestows fatness upon the earth.
The higher gods of the Rigveda are almost entirely personifications
of natural phenomena, such as Sun, Dawn, Fire, Wind. Excepting
a few deities surviving from an older period, the gods are, for
the most part, more or less clearly connected with their physical
foundation. The personifications being therefore but slightly
developed, lack definiteness of outline and individuality of
character. Moreover, the phenomena themselves which are behind the
personifications have few distinctive traits, while they share some
attributes with other phenomena belonging to the same domain. Thus
Dawn, Sun, Fire have the common features of being luminous, dispelling
darkness, appearing in the morning. Hence the character of each
god is made up of only a few essential qualities combined with many
others which are common to all the gods, such as brilliance, power,
beneficence, and wisdom. These common attributes tend to obscure those
which are distinctive, because in hymns of prayer and praise the former
naturally assume special importance. Again, gods belonging to different
departments of nature, but having striking features in common, are apt
to grow more like each other. Assimilation of this kind is encouraged
by a peculiar practice of the Vedic poets--the invocation of deities
in pairs. Such combinations result in attributes peculiar to the one
god attaching themselves to the other, even when the latter appears
alone. Thus when the Fire-god, invoked by himself, is called a slayer
of the demon Vritra, he receives an attribute distinctive of the
thunder-god Indra, with whom he is often coupled. The possibility of
assigning nearly every power to every god rendered the identification
of one deity with another an easy matter. Such identifications are
frequent enough in the Rigveda. For example, a poet addressing the
fire-god exclaims: "Thou at thy birth, O Agni, art Varuna; when kindled
thou becomest Mitra; in thee, O Son of Might, all gods are centred;
thou art Indra to the worshipper" (v. 3, 1).
Public-domain text, read in full here on John Shaqi.
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