A knowledge of ancient Latin literature had not entirely perished during the earlier Middle Ages. The Benedictine monasteries had preserved classical manuscripts—especially the monastery of Monte Cassino for the southern, and that of Fulda for the northern parts of Europe. These monasteries and their sister establishments were schools of learning as well as libraries, and we read of more than one where the study of some of the classical authors was part of the regular training. Virgil, Horace, Terence and Martial, Livy, Suetonius and Sallust, were known and studied. Greek literature had not survived to anything like the same extent, but it had never entirely disappeared from Southern Europe, and especially from Southern Italy. Ever since the days of the Roman Republic in that part of the Italian peninsula once called Magna Græcia, Greek had been the language of many of the common people, as it is to this day, in districts of Calabria and of Sicily; and the teachers and students of the mediæval University of Salerno had never lost their taste for its study.(18) But with all this, the fourteenth century, and notably the age of Petrarch, saw the beginnings of new zeal for the literature of the past, and was really the beginning of a new era. Italy was the first land to become free from the conditions of mediæval life, and ready to enter on the new life which was awaiting Europe. There was an Italian language, the feeling of distinct nationality, a considerable advance in civilisation, an accumulation of wealth, and, during the age of the despots, a comparative freedom from constant changes in political conditions.