Architects -- Fiction; Castles -- Conservation and restoration -- Fiction; Love stories; Wessex (England) -- Fiction
‘It is to be earnestly hoped that the gentleman does not prevaricate,’
said the minister, for the first time attracted by the subject. ‘I
accidentally met him in the lane, and he said something to me about
having lived in Malta. I think it was Malta, or Gibraltar--even if he
did not say that he was born there.’
‘His manners are no credit to his nationality,’ observed Mrs. Goodman,
also speaking publicly for the first time. ‘He asked me this morning to
send him out a pail of water for his process, and before I had turned
away he began whistling. I don’t like whistlers.’
‘Then it appears,’ said Somerset, ‘that he is a being of no age, no
nationality, and no behaviour.’
‘A complete negative,’ added Havill, brightening into a civil sneer.
‘That is, he would be, if he were not a maker of negatives well known in
Markton.’
‘Not well known, Mr. Havill,’ answered Mrs. Goodman firmly. ‘For I lived
in Markton for thirty years ending three months ago, and he was never
heard of in my time.’
‘He is something like you, Charlotte,’ said Paula, smiling playfully on
her companion.
All the men looked at Charlotte, on whose face a delicate nervous blush
thereupon made its appearance.
‘’Pon my word there is a likeness, now I think of it,’ said Havill.
Paula bent down to Charlotte and whispered: ‘Forgive my rudeness, dear.
He is not a nice enough person to be like you. He is really more like
one or other of the old pictures about the house. I forget which, and
really it does not matter.’
‘People’s features fall naturally into groups and classes,’ remarked
Somerset. ‘To an observant person they often repeat themselves; though
to a careless eye they seem infinite in their differences.’
The conversation flagged, and they idly observed the figure of the
cosmopolite Dare as he walked round his instrument in the mead and
busied himself with an arrangement of curtains and lenses, occasionally
withdrawing a few steps, and looking contemplatively at the towers and
walls.
IX.
Somerset returned to the top of the great tower with a vague
consciousness that he was going to do something up there--perhaps sketch
a general plan of the structure. But he began to discern that this
Stancy-Castle episode in his studies of Gothic architecture might be
less useful than ornamental to him as a professional man, though it was
too agreeable to be abandoned. Finding after a while that his drawing
progressed but slowly, by reason of infinite joyful thoughts more allied
to his nature than to his art, he relinquished rule and compass, and
entered one of the two turrets opening on the roof. It was not the
staircase by which he had ascended, and he proceeded to explore its
lower part. Entering from the blaze of light without, and imagining the
stairs to descend as usual, he became aware after a few steps that
there was suddenly nothing to tread on, and found himself precipitated
downwards to a distance of several feet.
Public-domain text, read in full here on John Shaqi.
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