A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French.Tarbell, Ida M. (Ida Minerva)
History
A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French.
Tarbell, Ida M. (Ida Minerva)
Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814; Napoleon I, Emperor of the French, 1769-1821
Without an extraordinary capacity for work, no man could have done this.
Napoleon would work until eleven o’clock in the evening, and be up again
at three in the morning. Frequently he slept but an hour, and came back
as fresh as ever. No secretary could keep up to him, and his ministers
sometimes went to sleep in the Council, worn out with the length of the
session. “Come, citizen ministers,” he would cry, “we must earn the
money the French nation gives us.” The ministers rarely went home from
the meetings that they did not find a half-dozen letters from him on
their tables to be answered, and the answer must be a clear, exact,
exhaustive document. “Get your information so that when you do answer
me, there shall be no ‘buts,’ no ‘ifs,’ and no ‘becauses,’” was the rule
Napoleon laid down to his correspondents.
He had audacity. He dared do what he would. He had no conventional
notions to tie him, no master to dictate to him. The Revolution had
swept out of his way the accumulated experience of centuries—all the
habits, the prejudices, the ways of doing things. He commenced nearer
the bottom than any man in the history of the civilized world had ever
done, worked with imperial self-confidence, with a conviction that he
“was not like other men;” that the moral laws, the creeds, the
conventions, which applied to them, were not for him. He might listen to
others, but in the end he dared do as he would.
CHAPTER IX
OPPOSITION TO THE CENTRALIZATION OF THE GOVERNMENT—GENERAL PROSPERITY
The centralization of France in Napoleon’s hands was not to be allowed
to go on without interference. Jacobinism, republicanism, royalism, were
deeply-rooted sentiments, and it was not long before they began to
struggle for expression.
Early in the Consulate, plots of many descriptions were unearthed. The
most serious before 1803 was that known as the “Opera Plot,” or “Plot of
the 3d Nivôse” (December 24, 1800), when a bomb was placed in the
street, to be exploded as the First Consul’s carriage passed. By an
accident he was saved, and, in spite of the shock, went on to the opera.
Madame Junot, who was there, gives a graphic description of the way the
news was received by the house:
“The first thirty measures of the oratorio were scarcely played,
when a strong explosion like a cannon was heard.
“‘What does that mean?’ exclaimed Junot with emotion. He opened the
door of the _loge_ and looked into the corridor.... ‘It is strange;
how can they be firing cannon at this hour?’ And then ‘I should have
known it. Give me my hat; I am going to find out what it is....’
“At this moment the _loge_ of the First Consul opened, and he
himself appeared with Generals Lannes, Lauriston, Berthier, and
Duroc. Smiling, he saluted the immense crowd, which mingled cries
like those of love with its applause. Madame Bonaparte followed him
in a few seconds....
Public-domain text, read in full here on John Shaqi.
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