Poets, American -- 19th century -- Biography; Whitman, Walt, 1819-1892
The venture continued for about a year but eventually proved
unsuccessful. Its failure may have been due to the comparatively small
circle of readers which the Free-soil party in Brooklyn could provide,
or it may have resulted from the same lack of regularity which killed
the _Long Islander_. It is not improbable that Whitman wearied of
the continuous mechanical production demanded by the ownership and
management of a daily paper. He was not methodical; and his mind was
struggling with ideas which made him restless in harness, ideas so
large and fundamental that much of the merely ephemeral detail of
journalism must have become irritating and irksome. When the _Freeman_
collapsed it was a bondage broken, and its owner and editor became a
freeman himself.
His father was some sixty years of age and failing in health, and for
lack of anything more suited to his state of mind, Walt joined him,
taking up his business and becoming a master carpenter, building small
frame-houses in Brooklyn and selling them upon completion as his father
had been doing these thirty years.
Brooklyn was growing fast, and the Whitmans prospered. Walt lived at
home and spent little; he was soon on the way to become rich. What was
more important, he was now the master of his own time; and carpentering
left his mind free to work entirely in its own way. He was no longer
being "pushed for copy". When the mood was urgent he could idle; that
is to say, he could give himself up to his thoughts. He could dream,
but the saw in his hand and the crisp timber kept him close to reality.
He was out of doors, too, and among things rather than thoughts, so
that his ideas were but rarely bookish.
* * * * *
Yet though he was the opposite of bookish he was not ill-read. He
always carried a volume or part of a magazine in his knapsack with his
mid-day dinner;[117] and every week for years he had visited Coney
Island beach to bathe there and to read. He watched the English and
American reviews, bought second-hand copies whenever they contained
matter of interest to him, tore out his prize and devoured it with his
sandwich. He loved especially to read a book in its native elements:
the _Inferno_[118] in an ancient wood, Homer in a hollow of the rocks
with the Atlantic surf on either hand, while he saw all the stage-plays
of Shakespeare upon the boards.
He had always remained faithful to Scott, and especially to the
Border ballads of his collection, with their innumerable and repaying
notes. He studied the Bible systematically and deliberately, weighing
it well and measuring it by the standards of outdoor America in the
nineteenth century. In the same way and spirit he had read and re-read
Shakespeare's plays before seeing them, until he could recite extended
passages; and he had come to very definite conclusions about their
feudal and aristocratic atmosphere and influence.
Public-domain text, read in full here on John Shaqi.
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