A Life Unveiled, by a Child of the DrumlinsAnonymous
General
A Life Unveiled, by a Child of the Drumlins
Anonymous
Girls -- Biography; Women physicians -- United States -- Biography; Young women -- Biography
A boy in our neighbourhood, a gay, boastful, light-hearted boy, who was
always whistling on the street, got into difficulties, became entangled
with low companions, and a grave charge was made against him from
which he was only partly exonerated. The first year I was away from
home, in writing to me about it, Mother had said, “Howard has lost his
whistle.” How significant that was! The merry-hearted boy was never the
same after that. These and other revelations concerning townspeople I
knew made a profound impression upon me. They were the beginnings of
my plucking the fruit of the Tree of Knowledge of Good and Evil, and
I found it bitter. Every taste saddened me. The dispersion of every
illusion was accompanied by a distinct pain. I think it must always
be so for those who believe that persons and things are what they
seem. The surface so smooth, so fair--incredible that beneath lie many
diverse strata seldom or never seen. Outcroppings come as a revelation,
and with the shattering of an ideal--inevitable sadness and pain!
One of my vivid childhood experiences comes to me here--that of being
taken through the State Prison at Auburn, and to chapel services there,
and how my throat ached as those hundreds and hundreds of men in
convict garb filed in and took their places! The striped gray-and-black
cloth for their suits was made at a woolen mill just outside our
village. We sat in the gallery and looked down on the men. I have never
forgotten the pain I felt, child that I was, at seeing such a mass of
men branded with shame and crime, many imprisoned for life. I wonder
if my sympathy and tolerance for wrong-doing were not generated by
that early experience, when I pitied them so that there was no room to
condemn.
Notes of piercing sweetness sounded through that vast auditorium as a
convict played on a cornet the prelude to “Watchman, tell us of the
night.” When they began singing I thought my heart would break. A part
of the men sang the questions, then another body of them the answers,
all joining in the refrain. Mother and all of us were in tears. Always
after that, at home, when we would sing that piece, that moving scene
would be vividly reproduced.
Chaplain Searle preached that day, and I remember (or think I remember)
his beautiful, beneficent spirit as he talked to the men. (He used
later to lecture in our village, and those impressions of him became
blended with the earlier. One of his lectures was “The Sunny Side of
Life in Libby Prison.”)
We saw the men march to dinner; saw their coarse fare, and peered into
their bare cells; and a great pity rose within me for their blighted
lives. To this day the sight of “Copper John”--the statue we see on the
top of the prison, on driving in to Auburn--awakens the recollection of
the painful emotions born that day when I first learned how hard the
way of the transgressor really is.
Public-domain text, read in full here on John Shaqi.
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