England -- Fiction; London (England) -- Fiction; Man-woman relationships -- Fiction
When she had recovered from the parting with her uncles, Adeline
accepted the change with docility. Long inured as she was to spiritual
solitude (for the closest friendship that can exist between a child and
an adult comprises little more than an affectionate tolerance on either
side, and certainly knows nothing of those intimate psychic affinities
which attract child to child or man to man), she could not, indeed,
have easily found much hardship in the conditions of her new life. One
matter troubled her at first, namely, that Aunt Grace never prayed or
read the Bible or went to chapel; nor, so far as Adeline knew, did
anyone else at the Abbey. But she soon became reconciled to this state
of things. For a time she continued to repeat her prayers; then the
habit ceased.
The picture-gallery, of which she had heard a great deal, fascinated
her at once. It was a long but not very lofty apartment, receiving
daylight from a hidden source, hung with the finest examples of the
four great Italian schools which flourished during the first half of
the sixteenth century: the Venetian, a revel of colour; the Roman,
dignified and even sedate; the Florentine, nobly grandiose; and the
school of Parma, mysteriously delicate. Opportunity serving, she spent
much of her time here, talking busily to the madonnas, the Christs,
the martyred saints, the monarchs, the knights, the lovely ladies,
and all the naïve mediæval crowd, giving each of them a part in her
own infantile romances. When she grew older, she copied--who shall
say whether consciously or unconsciously?--the attitudes and gestures
of the women; and perhaps in time there passed into Adeline, by some
ineffable channel, at least a portion of their demure grace and
contented quietude. There were pictures also in the square library,
examples of quite modern English and French work, sagaciously chosen
by one whose critical faculty had descended to him through four
generations of collectors; but Adeline had no eyes for these. The
books, however, gorgeous prisoners in glass, were her good friends,
though she might never touch them, and though the narrow, conventional
girl's education assiduously bestowed upon her by her aunt in person,
stifled rather than fostered curiosity with regard to their contents.
When Adeline was about nineteen, her guardian became engaged to be
married to a middle-aged farmer, a tenant of the Abbey, who made it
clear that in espousing Aunt Grace he was not eager to espouse Aunt
Grace's _protégée_ also. A serious question arose as to her future. She
had only one other relative in England, Mr. Aked, and she passively
accepted his timely suggestion that she should go to London and keep
house for him.
CHAPTER XVI
Public-domain text, read in full here on John Shaqi.
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