A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
By the time that the landlord had half done his gossip, Oliver had
finished his bread and wine; then, the horses being refreshed, he bade
the servant whom he had brought down from Paris with him to order out
the calash. The landlord would have assisted Oliver in carrying his
iron box, but Oliver would not permit it. He commanded him somewhat
sharply to let it alone, and he himself stowed it safely within the
calash.
His man-servant was holding the door open for him to enter, and Oliver
already had his foot placed upon the step ready to ascend, when the
clatter of hoofs and the rumble of a coach caught his attention, and he
waited to see it pass.
It was a huge, lumbering affair, as big as a small house, and was
dragged thunderously along by six horses. A number of outriders
surrounded it as it came sweeping along amid a cloud of dust, in the
midst of which the whips of the postilions cracked and snapped like
pistol-shots.
So Oliver waited, with some curiosity, until the whole affair had
thundered by along the road, with its crashing, creaking, rattling
clatter, preceded by the running footmen with their long canes, and
the outriders in their uniform of white and blue. It was all gone in
a moment--a moment that left Oliver standing dumb and rooted. In that
instant of passing he had seen three faces through the open windows of
the coach: the first, that of a stout, red-faced man, thick-lipped,
sensual; second, that of a lady, pale and large-eyed, once beautiful
perhaps, now faded and withered. But the third! The third face was
looking directly at him, and it was the glimpse of it that left him
rooted, bereft of motion. It was the same face that he had seen that
first day in the magic mirror in the master's house; the face that
he had seen in that mirror, and unknown to the master, not once, not
twice, but scores of times--hundreds of times.
The landlord's voice brought him to himself with a shock. "Monsieur has
dropped his handkerchief."
Oliver took the handkerchief mechanically from his hand, and as he
entered the coach like one in a dream, he heard the landlord say, as
his servant closed the door with a clash.
"That was Monseigneur the Marquis on his way to the Château Flourens."
SCENE SECOND.--_The Widow Munier's house in Flourens. Not the poor
rude hut that Oliver had left her in when he first went to Paris, but
the house of the late Doctor Fouchette--the best house in the town.
The Widow Munier is discovered sitting at the window, with her face
close to the glass, looking down the street expectantly._
Oliver had been gone a year, and that year had wrought great changes
with her. All the town knew that a great fortune had come to her, and
she was no longer the poor widow Munier, the relict of Jean Munier the
tailor; she was Madame Munier.
Public-domain text, read in full here on John Shaqi.
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