"A Modern Hercules," the Tale of a SculptressWinstock, Melvin G.
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"A Modern Hercules," the Tale of a Sculptress
Winstock, Melvin G.
American fiction -- 19th century
“Society never pardoned me,” she thought, “my genius and fame, and when
passion enslaved me and my back was turned, the cruel jade stabbed me
in a fatal spot. I thought I could offer defiance to custom’s rigid
rule. I dreamed I was a queen, to whom the world owed obedience. I
awoke, and found I was a woman, strong only in passionate devotion.
Yet, could I turn back the hand of time, I would not change. Eternal
poverty, exposure, shame, disgrace with him, is better than Paradise
without. I have had pointed at me the finger of scorn, and yet upon his
aching breast, I have found a consolation so deep and sweet, that it
gave oblivion to the taunts without.”
Her reverie was disturbed by a knock at the door.
“Come in,” she said.
Doane entered.
“Ah,” said he, placing his glass to his eye, “can it be? Do my eyes
deceive me? Ouida Angelo!”
“Yes,” she said, “and what can you want with me?”
“You surely believe me,” he said, in exquisite irony, “when I tell you
that I did not expect to find you here?”
“Then,” said she coldly, “you will have no objection to making your
stay as brief as possible. You see, I am not in a position to properly
entertain so distinguished a visitor.”
“Oh, don’t let that worry you,” said he, with cool impudence. “I’ll
take a seat; you don’t mind, do you?”
“I have no way of relieving myself of your presence,” said Ouida, “save
by invitation, as this is the only apartment at my disposal. I presume
I shall be compelled to hear what you have to say.”
“I was seeking curios,” said Doane, whose malicious smile revealed
the fact that he was lying, “and a neighbor of yours informed me that
a lady, once proud and rich, had a very fine piece of statuary for
sale. I called to see it, not knowing who the owner might be, and was
dumbfounded to find it was you!”
“Mistaken, sir, as you usually are,” said Ouida, “mistaken in all your
facts. There is no lady here; only a woman of sorrow, one acquainted
with much grief. I have nothing to sell, or give away.”
“I see a marble figure there,” said he, pointing to the one work of art
that lent radiance and dignity, even to that humble abode. “Is that
your work?”
“Yes,” was the curt reply.
“What is it?” he said.
“I will not tell you.”
“I know, so you might as well.”
“If you know,” she said, “then there is no necessity for me to give you
any information.”
“Let’s throw deception to the winds,” said he, unmasking himself. “It
is ‘The Modern Hercules.’ I came to buy it of you.”
“It is not for sale.”
“Not for sale!” he said, “when the price I’d pay for it would enable
you to hold up your head in the world again?”
“Sir,” said she, filled to the quick with indignation, “I want neither
your gold, sarcasm, advice nor presence.”
“A little of each would do you good.”
“You are a coward, sir,” the woman flashed out, “to say things to
me here that you would not have dared to utter when wealth, power,
position, all were mine.”
Public-domain text, read in full here on John Shaqi.
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