When she reappeared, in her hat, at the front of the Inn, Gaites
happened to be there, and he asked her if he might walk with her and
make his inquiries too about the piano, in which, he urged, they were
mutually interested. He had a notion to tell her all about his pursuit
of Miss Desmond's piano, as something that would peculiarly interest
Miss Desmond's friend; but though she admitted the force of his
reasoning as to their common concern in the fate of the piano, and had
allowed him to go with her to rejoice over its installation, some subtle
instinct kept him from the confidence he had intended, and they walked
on in talk (very agreeable talk, Gaites found it) which left the subject
of the piano altogether intact.
This was fortunate for Miss Desmond, who wished to talk of nothing else.
The piano had arrived in perfect condition. "But I don't know where the
poor thing _hasn't_ been, on the way," said the girl. "It left Boston
fully two weeks ago, and it seems to have been wandering round to the
ends of the earth ever since. The first of last week, I heard from it at
Kent Harbor, of all places! I got a long despatch from there, from some
unknown female, telling me it had broken down on the way to Burymouth,
and been sent by mistake to Kent Harbor from Mewers Junction. Have you
ever been at Kent Harbor, Mr. Gaites?"
"Oh, yes," said Gaites. This was the moment to come out with the history
of his relation to the piano; but he waited.
"And can you tell me whether they happen to have a female freight agent
there?"
"Not to my knowledge," said Gaites, with a mystical smile.
"Then _do_ you know anybody there by the name of Elaine W. Maze?"
"Mrs. Maze? Yes, I know Mrs. Maze. She has a cottage, there."
"And can you tell me _why_ Mrs. Maze should be telegraphing me about my
piano?"
There was a note of resentment in Miss Desmond's voice, and it silenced
the laughing explanation which Gaites had almost upon his tongue. He
fell very grave in answering, "I can't, indeed, Miss Desmond."
"Perhaps she found out that it had been a long time on the way, and did
it out of pure good-nature, to relieve your anxiety."
This was what Miss Axewright conjectured, but it seemed to confirm Miss
Desmond's worst suspicions.
"That is what I should like to be _sure_ of," she said.
Gaites thought of all his own anxieties and interferences in behalf of
the piano of this ungrateful girl, and in her presence he resolved that
his lips should be forever sealed concerning them. She never would take
them in the right way. But he experimented with one suggestion. "Perhaps
she was taken with the beautiful name on the piano-case, and couldn't
help telegraphing just for the pleasure of writing it."
"Beautiful?" cried Miss Desmond. "It was my grandmother's name; and I
wonder they didn't call me for my great-grandmother, Daphne, and be done
with it."
Public-domain text, read in full here on John Shaqi.
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