A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
is the _Poets_ account of _Solomon's_ Supernatural Knowledge![144] Thus the
wisest Prince is dwindled into a Gypsie! And the Glorious Miracle resolved
into Dotage, and Figure-flinging! _Scandal_ continues his Banter, and says,
the _wise Men of the East owed their Instruction to a Star; which is
rightly observ'd by_ Gregory _the Great in favour of Astrology_. This was
the Star which shone at our Saviour's Birth. Now who could imagine by the
Levity of the occasion, that the Author thought it any better than an
_Ignis Fatuus_, or _Sydrophel's_ Kite in _Hudibras_? Sr. _Sampson_ and the
fine _Angelica_, after some lewd raillery continue the Allegory, and drive
it up into Profaness. For this reason the Citation must be imperfect.
_Sr._ Samps. Sampson'_s a very good Name for----your_ Sampsons _were strong
Dogs from the Beginning_.[145]
Angel. _Have a care----If you remember the strongest_ Sampson _of your
Name, pull'd an old House over his Head at last_. Here you have the Sacred
History burlesqu'd, and _Sampson_ once more brought into the House of
_Dagon_, to make sport for the _Philistines_! To draw towards an end of
this _Play. Tattle_ would have carried off _Valentine_'s Mistress. This
later, expresses his Resentment in a most Divine manner! Tattle _I thank
you, you would have interposed between me and Heaven, but Providence has
laid Purgatory in your way_.[146] Thus Heaven is debas'd into an Amour, and
Providence brought in to direct the Paultry concerns of the _Stage!
Angelica_ concludes much in the same strain: _Men are generally Hypocrites
And Infidels, they pretend to Worship, but have neither Zeal, nor Faith;
How few like_ Valentine _would persevere unto Martyrdom? &c._[147] Here you
have the Language of the _Scriptures_, and the most solemn Instances of
Religion, prostituted to Courtship and Romance! Here you have a Mistress
made God Almighty, Ador'd with Zeal and Faith, and Worship'd up to
Martyrdom! This if 'twere only for the Modesty, is strange stuff for a Lady
to say of her self. And had it not been for the profane Allusion, would
have been cold enough in all Conscience.
The _Provok'd Wife_ furnishes the Audience with a Drunken Atheistical
Catch: 'Tis true this Song is afterwards said to be _Full of Sin and
Impudence_.[148] But why then was it made? This Confession is a miserable
_Salvo_; And the Antidote is much weaker than the Poyson: 'Tis just as if a
Man should set a House in a Flame, and think to make amends by crying
_Fire_ in the Streets. In the last _Act Rasor_ makes his Discovery of the
Plot against _Belinda_ in _Scripture_ phrase. I'le give it the _Reader_ in
the Authors Dialogue.
Belind. _I must know who put you upon all this Mischief._[149]
Rasor. _Sathan And his Equipage. Woman tempted me, Lust weaken'd,----And so
the Devil overcame me: As fell_ Adam _so fell I_.
Belind. _Then pray Mr._ Adam _will you make us acquainted with your_ Eve?
Public-domain text, read in full here on John Shaqi.
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