A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
In reality he was a tale-teller, but that was no craft among us. No
union had been formed among tale-tellers. The Authors’ League, the Pen
Women, the Poet’s Club, etc., had not yet been formed or, if there were
such organizations in existence, they at any rate did not reach down
into mid-American towns. At that time even the rumors of the vast sums
to be made by turning out clever plot stories for the popular magazines
or the movies had not been whispered about.
Other and more significant-seeming stories were floating however. A
new kind of hero, tarnished somewhat later, filled the popular eye. As
we boys went about in the main street of our town, citizens, feeling
a kindly interest in the motherless sons, continually stopped us.
Everyone was singing a new little song:
“Get on. Make money. Get to the top. A penny saved is a penny earned.
Money makes the mare go.”
“Save up your money, and save up your rocks.
And you’ll always have tobacco in the old tobacco box,”
sang Sil West, the smith, who was shoeing a horse in the alleyway back
of the stores on our main street.
The factories were calling. One went into a factory, did his work with
care and skill, became foreman, superintendent, part owner, married
the banker’s daughter, got rich and went off to Paris to sin the sins
neglected during so busy a youth and early manhood.
It sounded reasonable and possible. Learning a craft was slow business
and one was in a hurry. “Hurry” was the battle cry of the day.
And the time of the factories was just at hand. At that time they
were coming into Ohio, and into all the mid-American states in great
numbers, and no town was without hope of becoming an industrial centre.
The bicycle had come, followed by the automobile, and even the quiet
country roads were taking on the new spirit of speed.
Something was in the air. One breathed a new spirit into the lungs.
The paradise, later to be represented by the ford, the city apartment
building with tiled bathroom floors, subways, jazz, the movies--was it
not all just at hand? I myself and long afterward tried a little, in a
novel of mine called, “Poor White,” to give something of the feeling of
life in our towns at that time.
Oil and gas were spurting out of the ground in Ohio and the discovery
of oil and gas meant the coming of factories, it meant the New Age,
prosperity, growth going onward and upward. “Death to everything
old, slow and careful! Forward the Light Brigade! Theirs not to ask
the reason why! Theirs but to do or die”--the light brigade in our
particular town consisting of every merchant, doctor, workman, lawyer,
who had saved a few pennies that could be invested. In our ears rang
stories of the Lima Boom, the Gibsonburg boom, the Finley boom.
Public-domain text, read in full here on John Shaqi.
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