The old temple and the bronze of the statues shone in the rosy light;
and from the east a broad path of trembling gold was laid upon the
smooth flood.
"See, how beautiful!" cried Athalaric, carried away by his admiration.
"Look at that bridge of light and glory!"
She joined in his admiration, and looked out over the sea.
"Do you remember, Camilla," he continued slowly, as if lost in
recollection, and not looking at her, "do you remember how we played
here when we were children? How we dreamed? We said that the golden
path painted on the waters by the sun, led to the Islands of the
Blessed."
"To the Islands of the Blessed!" repeated Camilla. In secret she was
wondering at the delicacy and ease with which, avoiding every allusion
to their last meeting, he conversed with her in a manner, which
completely disarmed her.
"And look, how the statues glitter, that wonderful pair, Æneas
and--Amala! Listen, Camilla, I have something to beg pardon for."
Her heart beat rapidly. He was going to speak of the rebuilding of the
Villa and the fountain. The blood rose to her cheeks. She remained
silent in painful expectation.
But the youth continued quietly:
"You know how often--you the Roman, and I the Goth--vied with each
other here in praises of the glory and fame and manners of our people.
Then you stood under the statue of Æneas, and told me of Brutus and
Camillus, of Marcellus and the Scipios. And I, leaning against the
shield of my ancestor Amala, praised Ermanaric and Alaric and
Theodoric. But you spoke more eloquently than I. And often, when the
glory of your heroes threatened to outshine mine, I laughed at your
dead greatness, and cried, 'The living present and the glowing future
belong to my people!'"
"Well, and now?"
"I speak so no more. You have won, Camilla!"
But even while he spoke thus, he looked prouder than ever.
And this expression of superiority revolted the Roman girl. Besides
that, she was irritated by the unapproachable coolness with which the
King, upon whose passion for her such plans were being founded, stood
before her. She did not understand this tranquillity. She had hated him
because he had dared to show her his love, and now her hate revived
because he was able to conceal it. With the intention to hurt his
feelings she slowly said:
"So you acknowledge, King of the Goths, that your barbarians are
inferior to the civilised nations?"
Public-domain text, read in full here on John Shaqi.
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