If ever fruitless but endless care was shown to prevent misunderstanding, it was shown in the pains taken by Shakespeare to obviate the misconstruction which would impute to Falstaff the quality of a Parolles or a Bobadil, a Bessus or a Moron. The delightful encounter between the jester and the bear in the crowning interlude of _La Princesse d'Elide_ shows once more, I may remark, that Moliere had sat at the feet of Rabelais as delightedly as Shakespeare before him. Such rapturous inebriety or Olympian incontinence of humour only fires the blood of the graver and less exuberant humourist when his lips are still warm and wet from the well- spring of the _Dive Bouteille_. It is needless to do over again the work which was done, and well done, a hundred years since, by the writer whose able essay in vindication and exposition of the genuine character of Falstaff elicited from Dr. Johnson as good a jest and as bad a criticism as might have been expected. His argument is too thoroughly carried out at all points and fortified on all hands to require or even to admit of corroboration; and the attempt to appropriate any share of the lasting credit which is his due would be nothing less than a disingenuous impertinence. I may here however notice that in the very first scene of this trilogy which introduces us to the ever dear and honoured presence of Sir John, his creator has put into the mouth of a witness no friendlier or more candid than Ned Poins the distinction between two as true-bred cowards as ever turned back and one who will fight no longer than he sees reason. In this nutshell lies the whole kernel of the matter; the sweet, sound, ripe, toothsome, wholesome kernel of Falstaff's character and humour. He will fight as well as his princely patron, and, like the prince, as long as he sees reason; but neither Hal nor Jack has ever felt any touch of desire to pluck that "mere scutcheon" honour "from the pale-faced moon." Harry Percy is as it were the true Sir Bedivere, the last of all Arthurian knights; Henry V. is the first as certainly as he is the noblest of those equally daring and calculating statesmen-warriors whose two most terrible, most perfect, and most famous types are Louis XI. and Caesar Borgia. Gain, "commodity," the principle of self-interest which never but in word and in jest could become the principle of action with Faulconbridge,--himself already far more "a man of this world" than a Launcelot or a Hotspur,--is as evidently the mainspring of Henry's enterprise and life as of the contract between King Philip and King John. The supple and shameless egotism of the churchmen on whose political sophistries he relies for external support is needed rather to varnish his project than to reassure his conscience. Like Frederic the Great before his first Silesian war, the future conqueror of Agincourt has practically made up his mind before he seeks to find as good reason or as plausible excuse as were likewise