The jubé of this cathedral is fortunately still standing, and nearly in all its original beauty. It is remarkable in its construction, having three doors, beside the two recesses anciently filled with altars, and there is a sort of aisle running round between the main pillars of the choir and the screen of enclosure. CATHÉDRALE D'AUTUN. "Before the year 1765, the choir was enclosed by a fine screen of mediæval design, but this was pulled down to make some pretended improvements in the choir, and at the same time a most curious zodiac, illustrating the seasons, &c., executed by a monk named Martin, at the order of Bishop Stephen, which was found in mosaic in the pavement of the choir, was totally destroyed, as well as several other objects of the highest interest."—Chapuy, pp. 9 and 10. CATHEDRALE DE SENLIS. The ancient jubé was demolished during the revolution, and the present screen is a miserable erection of _this century_. I have figured it as a specimen of a _modern French screen_, combining every objection that has been raised by the ambonoclasts of our days, without possessing any of the beauties of the ancient works. CATHEDRAL OF TOULOUSE. This screen, which I have figured in the plates, was erected in the seventeenth century, and though of debased Italian, is constructed with a rood loft, or jubé, and surmounted by a large crucifix. This jubé is still standing. CHURCH OF S. SERNIN, TOULOUSE. The choir of this church is enclosed by iron screens of remarkable design and beautiful execution, figured in the plates. They are evidently a work of the middle or latter part of the fifteenth century. The lilies and leaves bent up out of the iron plates are produced with wonderful skill. Some of the lateral chapels in the same church have corresponding screen-work, and as Toulouse is a city partaking much of the Spanish character in its buildings, streets, &c., I am inclined to think that it has also borrowed the design of this screen-work from Spain; as Seville, Toledo, and other great churches, have curious iron screens, reaching forty or fifty feet in height, and of a very similar description of work. In the same plate with the Toulouse iron-work, I have figured a screen from the cathedral of Toledo, from which the great similarity of style may be readily perceived. CATHEDRAL OF AUCH. The jubé was constructed during the early part of the sixteenth century, in the style of the Renaissance, enriched with most elaborate arabesques and details of the period, and provided with lateral altars. It is still standing, although some attempts have been made by innovators to remove it; but hitherto the canons have resolutely resisted all propositions for ruining the ancient choir. CATHEDRAL OF RODEZ, LANGUEDOC.