Except, perhaps, the sensation which invaded Fanshawe in the small hours that something had been let out which ought not to have been let out. It came into his dreams. He was walking in a garden which he seemed half to know, and stopped in front of a rockery made of old wrought stones, pieces of window tracery from a church, and even bits of figures. One of these moved his curiosity: it seemed to be a sculptured capital with scenes carved on it. He felt he must pull it out, and worked away, and, with an ease that surprised him, moved the stones that obscured it aside, and pulled out the block. As he did so, a tin label fell down by his feet with a little clatter. He picked it up and read on it: “On no account move this stone. Yours sincerely, J. Patten.” As often happens in dreams, he felt that this injunction was of extreme importance; and with an anxiety that amounted to anguish he looked to see if the stone had really been shifted. Indeed it had; in fact he could not see it anywhere. The removal had disclosed the mouth of a burrow, and he bent down to look into it. Something stirred in the blackness, and then, to his intense horror, a hand emerged--a clean right hand in a neat cuff and coat-sleeve, just in the attitude of a hand that means to shake yours. He wondered whether it would not be rude to let it alone. But, as he looked at it, it began to grow hairy and dirty and thin, and also to change its pose and stretch out as if to take hold of his leg. At that he dropped all thought of politeness, decided to run, screamed and woke himself up. This was the dream he remembered; but it seemed to him (as, again, it often does) that there had been others of the same import before, but not so insistent. He lay awake for some little time, fixing the details of the last dream in his mind, and wondering in particular what the figures had been which he had seen or half seen on the carved capital. Something quite incongruous, he felt sure; but that was the most he could recall.