As motionless as stumps squat the rabbits, stiff with the tenseness of
every ready muscle. They listen. But it was only a dropping nut or a
restless bird; and the play continues.
They are chasing each other over the grass in a game of tag. There go
two, round and round, tagging and re-tagging, first one being "it" and
then the other. Their circle widens all the time and draws nearer to
the woods. This time round they will touch the bush behind which we
are watching. Here they come--there they go; they will leap the log
yonder. Flash! squeak! scurry! Not a rabbit in the field! Yes; one
rabbit--the limp, lifeless one hanging over the neck of that fox
trotting off yonder in the shadows, along the border of the woods!
The picnic is over for this night, and it will be some time before the
cottontails so far forget themselves as to play in this place again.
It is small wonder that animals do not laugh. They have so little
play. The savage seldom laughs, for he hunts and is hunted like a wild
animal, and is allowed so scant opportunity to be off guard that he
cannot develop the power to laugh. Much more is this true of the
animals. From the day an animal is born, instinct and training are
bent toward the circumvention of enemies. There is no time to play, no
chance, no cause for laughter.
The little brown rabbit has least reason of all to be glad. He is
utterly inoffensive, the enemy of none, but the victim of many. Before
he knows his mother he understands the meaning of _Be ready! Watch!_
He drinks these words in with his milk. The winds whisper them; the
birds call them; every leaf, every twig, every shadow and sound, says:
_Be ready! Watch!_ Life is but a series of escapes, little else than
vigilance and flight. He must sleep with eyes open, feed with ears
up, move with muffled feet, and, at short stages, he must stop, rise
on his long hind legs, and listen and look. If he ever forgets, if he
pauses one moment for a wordless, noiseless game with his fellows, he
dies. For safety's sake he lives alone; but even a rabbit has fits of
sociability, and gives way at times to his feelings. The owl and the
fox know this, and they watch the open glades and field-edges. They
must surprise him.
The barred owl is quick at dodging, but Bunny is quicker. It is the
owl's soft, shadow-silent wings that are dreaded. They spirit him
through the dusk like a huge moth, wavering and aimless, with dangling
dragon-claws. But his drop is swift and certain, and the grip of those
loosely hanging legs is the very grip of death. There is no terror
like the ghost-terror of the owl.
Public-domain text, read in full here on John Shaqi.
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