A Will and No Will; or, A Bone for the Lawyers. (1746) The New Play Criticiz'd, or the Plague of Envy. (1747)Macklin, Charles
General
A Will and No Will; or, A Bone for the Lawyers. (1746) The New Play Criticiz'd, or the Plague of Envy. (1747)
Macklin, Charles
English drama -- 18th century
_Cank._ Pray what does your Ladyship think of his Ladder of Ropes?
_Lady._ Why lookee, Mr. Canker, he may have transgressed probability
by it, I grant you--but I will forgive an Author such Transgressions
at any time when it is productive of so much Mirth.
_Heart._ Judiciously observed, my Lady.
_Trif._ Well, by gad, I like the Ladder of Ropes of all things.
_Sir Pat._ Upon my Honour so do I.
_Nib._ Well, I vow I think they are vastly absurd. Pray what do you
think, Miss Harriet?
_Har._ I think it is a very simple and a very probable Machine, and
productive of many happy Incidents, every one of which naturall[y]
arise[s] out of each other, and have this peculiar Beauty, which other
Incidents upon the Stage have not, that each of them begins with a
Surprize that raises your Anxiety and ends with a turn the least
unexpected, which could you have foreseen, would have been what you
would have wished.
_Lady._ Very nicely distinguished, Harriet; I protest that is the
greatest Encomium I have heard of the Play yet.
_Heart._ And the justest, Madam.
_Cank._ O intolerable! Monstrous! Shocking! Such Ignorance! (_Aside_)
Pray Madam, not to mention the improbability, where was the Necessity
for a Ladder of Ropes?
_Sir Pat._ What Necessity? Arra why do you ask such a foolish
Question? I'll tell you what Necessity--Why it was put there for the
young Man, the Templer, to go up Stairs into the House.
_Omnes._ Ha, ha, ha, ha!
_Heart._ Very well explained, Sir Patrick; it is a proper Answer.
_Cank._ But pray, Ladies--I speak to you in particular, who best know
the Nature of the Question I am going to ask--how can you justify the
impoliteness of making Clarinda, a Lady of Fashion and Fortune, in
full dress trudge the streets at twelve o'Clock at Night in
Contradiction to all Reason, Probability, and Politeness?
_Sir Pat._ Poo, poo! That's foolish now. Why what has a Stage Play to
do with Reason and Probability? If a Tragedy makes you laugh and a
Comedy makes you cry, as Mr. Heartly said just now, what would you
have more?
_Omnes._ Ha, ha, ha.
_Sir Pat._ And as to the young Lady's going home a Foot, that is
easily answered. You are to suppose it was a rainy Night and that she
walked home to save Chair hire, because there was never a Coach to be
had.
_Omnes._ Ha, ha, ha.
_Sir Pat._ I am sure it is very natural to walk. I have done so a
hundred times.
_Omnes._ Ha, ha, ha.
_Trif._ My dear Sir Patrick, give me your Hand! Thou art the top
Critick of the Age, let me perish.
_Nib._ Ignorant Wretches!
_Cank._ Was ever Man so tortured with such Fools! (_Aside_)--I hope,
Mr. Heartly, you will not offer to vindicate the Dialogue. There is
not one Attempt to Wit all through the Play, but that about the
Gravestone; the Characters all speak like People in common
Conversation.
_Heart._ I thought that was a Beauty, Mr. Canker.
_Cank._ Yes just as barrenness is in Land. Don't you see, Sir, what
Whicherly and Congreve have done in their Comedies?
Public-domain text, read in full here on John Shaqi.
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