'You have misunderstood me a little, I am afraid, Miss Farington,' she
said. 'It is not that my mother and I don't take an _interest_ in
cottagers; but that, having been cottagers ourselves, and having known
and visited cottagers rather as friends than as patrons, we can't at
once jump into the habit of considering them wholesale, as if we were
poor-law guardians.'
'And as for improving one's mind,' broke in Mrs. Ellmer, who was
growing exceedingly irate at the persistent manner in which the
philanthropist ignored her, 'you must blame Mr. Maude if she is not
learned enough, for it was he who educated her.'
This bold speech made a great sensation. Miss Farington drew herself
up. Babiole shot at me an eloquent involuntary glance from eyes which
were suddenly filled with tears; while I confess that if I had been
called upon to speak at that moment I should have gone near to
choking. In the meantime Mrs. Ellmer went on undaunted.
'I suppose it's very old-fashioned to think that one's studies ought
to be with the object of giving pleasure to other people. But I'm sure
it's pleasanter to hear a girl play a nice piece of music than to
hear her talk about books that most of us have never heard of.'
'I love music--_good_ music,' said Lucy coldly. 'No study is more
refining and more profound than that of the great masters of harmony.
I had no idea, Mrs. Scott, that you were an accomplished amateur. Will
you not give me the pleasure of hearing you?'
'I am afraid I am not a very scientific student,' said Babiole, as she
walked towards the piano, which I opened for her.
She looked so pale and tired that I suggested in a low voice that she
had better not play to-night. She glanced at Miss Farington, however,
and I, following the direction of her eyes, saw that my _fiancée_ was
watching us in a displeased manner. I therefore beat a retreat from
the piano, and Babiole began to play. She was a good performer, and
though not one of phenomenal accomplishment, she seemed to me to give
something of her own grace and charm to the music she interpreted. She
was nervous this evening on account of the critical element in the
audience; but I thought she played with even more of sympathy and of
power than usual. She had chosen one of the less hackneyed of
Mendelssohn's 'Songs without Words,' and when she had finished I
thanked her heartily, while Miss Farington chimed in with more
reserve.
'I am afraid,' said Babiole, 'that it is not the sort of music to give
you great pleasure, but I can't play much by heart, and that is one of
the few things I know.'
Public-domain text, read in full here on John Shaqi.
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