Aaron Rodd, DivinerOppenheim, E. Phillips (Edward Phillips)
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Aaron Rodd, Diviner
Oppenheim, E. Phillips (Edward Phillips)
Detective and mystery stories, English; English fiction -- 20th century
Aaron Rodd walked from one side of the quay to the other like a drunken
man. There were all manner of stars in front of him. He gripped hold
of the rope and stole down the steps. He was suddenly steadied by a
great excitement. With a black shawl torn back from her head in that
last struggle, her feet and hands tied together, the remains of a gag
hanging from her mouth, her face livid, her eyes full of horrible fear,
lay Henriette. She saw him swaying over her, gripping the end of the
rope, his face streaming with blood but with all manner of things in
his eyes, and she made a little movement, tried to hold up her hands,
tried even to smile.
"Oh, thank God! Thank God!"
The sound of the oars was no longer audible. A long boat, crowded with
men in dark uniform, came gliding out of the shadows. A boat-hook
gripped the side of the quay. The poet, looking like a drowned
retriever, stood up in the bows and cheered lustily. One of the
uniformed men, who seemed to be an inspector, flashed a lantern upon
the scene.
"What's wrong here?" he asked quickly.
Aaron Rodd kneeled upon the slippery steps and pointed to the girl.
One of the men clambered into the boat and cut the ropes. They half
carried her up on to the wharf. The policemen followed. They flashed
lanterns around. The man Sid was lying on his side, motionless. Aaron
Rodd's first assailant was tying in a doubled-up heap, moaning to
himself. Mr. Jacob Potts was just beginning to recover himself.
"So you're in this, are you, Potts?" the inspector remarked grimly.
"The boys broken loose, eh?"
"Just a little scrap," the publican groaned.
Then Aaron Rodd was suddenly aware of a new sensation. He felt a pair
of warm arms thrown around his neck. The poet, who had been shaking
himself like a dripping dog, sprang to his side. The sky came down and
the planks beneath his feet seemed jumping towards his throat. But
Aaron Rodd, though the world around him was fading fast from his
consciousness, had found new things and he was quite happy.
_Chapter V_ _The Mysterious Assistant_
Abraham Letchowiski stood in the doorway of his small but brilliantly
lit shop in one of the broad thoroughfares leading out of the Mile End
Road, and beamed upon the Saturday night passers-by. He was, in his
way, a picturesque looking object--patriarchal, almost biblical. He
wore a long, rusty-black frock-coat, from which the buttons had long
since departed, but which hung in straight lines about his tall, spare
form. His dishevelled grey beard reached to the third button of his
waistcoat. His horn-rimmed spectacles were pushed back to his
forehead. Every now and then he harangued a likely-looking couple in
mild and persuasive accents.
Public-domain text, read in full here on John Shaqi.
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