Next to this, and hardly to be separated from it, inasmuch as it involves the question regarding the form of the Tower, is the position of the centre of gravity. The stability of any solid will, in general, greatly depend upon its centre of gravity being placed as low as possible; and the general sectional form which this notion of stability indicates is that of a triangle. This figure revolving on its vertical axis, must, of course, generate a cone as the solid, which has its centre of gravity most advantageously placed, while its rounded contour would oppose the _least_ resistance which is attainable in _every_ direction. Whether, therefore, we make _strength_ or _weight_ the source of stability, the conic frustum seems, abstractly speaking, the most advantageous form for a high Tower. But there are various considerations which concur to modify this general conclusion, and, in practice, to render the conical form less eligible than might at first be imagined. Of these considerations, the most prominent theoretically, although, I must confess, not the most influential in guiding our practice, is, that the base of the cone must in many cases meet the foundation on which the Tower is to stand, in such a manner, as to form an angular space in which the waves may break with violence. The second objection is more considerable in practice, and is founded on the disadvantageous arrangement of the materials, which would take place in a conic frustum carried to the great height which Lighthouse Towers must generally attain, in order to render them useful as sea-marks. Towards its top, the Tower cannot be assaulted with so great a force as at the base, or, rather, its top is entirely above the shock of heavy waves; and, as the conoidal solid should be prolate in proportion to the intensity of the shock which it must resist, it follows that, if the base be constructed as a frustum of a given cone, the top part ought to be formed of successive frusta of other cones, gradually less prolate than that of the base. But it is obvious, that the union of frusta of different cones, independently of the objection which might be urged against the _sudden_ change of direction at their junction, as affording the waves a point for advantageous assault, would form a figure of inharmonious and unpleasing contour, circumstances which necessarily lead to the adoption of a curve osculating the outline of the successive frusta composing the Tower; and hence, we can hardly doubt, has really arisen in the mind of Smeaton the beautiful form which his genius invented for the Lighthouse Tower of the Eddystone, and which subsequent Engineers have contented themselves to copy, as the general outline which meets all the conditions of the problem which they have to solve. And here I cannot help observing, as an interesting, and by no means unusual, psychological fact, that men sometimes appear to be conducted to a right conclusion by an erroneous