Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
Into this mysterious house we will conduct the reader. The room to
which we would direct attention was small, but by no means destitute of
comforts; a wood fire burnt within the grate, and its low flickering
light disclosed several articles of domestic convenience about the
apartment. The only coarse appearance the place had was owing to some
rough ragged edged planks being nailed across the window on the inside,
so as effectually to close it against the egress of any wandering
stream of light from the fire.
The room was consequently dark, for the process of preventing the
fire-light from showing through the window likewise excluded the
daylight, and, although it was mid-day without, that apartment
presented the appearance of midnight within.
Stretched on the hearth before the fire was a large gaunt-looking dog,
apparently in a deep slumber, and sitting on an old-fashioned chair,
with his head buried in his hands, and resting on the table, was the
young boy, who has been already introduced to the reader as Harry Gray,
and who passed as a nephew of wily Jacob Gray. His remarkable long and
beautiful hair fell in masses upon the table, and the fine light
glistened on the glossy ringlets as they strayed in wild luxuriance
over his hands.
So still was that young creature, that he might have been thought
sleeping, and, perhaps, he had been, and had awakened from some dreams
of happiness to weep, for a deep sob burst from his heart, and looking
up, he cried, in accents of deep misery and despair,—
“I am very unhappy—I wish I could die.”
The dog, upon the sound of the voice, immediately rose, and with a low
whine placed his fore paws upon the knee of the boy, and looked in his
face with an expression of sagacious affection, which of all the
inferior animals dogs alone are capable of.
For a moment the boy did not heed him, but wept bitterly, and kept
repeating,—
“If I could but die—if I could but die!”
Then passing his delicate hands across his brow to part back the
clustering hair he looked in the face of the dumb animal, that again
with a low whine claimed his attention.
“You love me,” he cried; “yes—yes—I know you love me, my poor dog. I
found you starving in this lone house, and made a friend of you. I
called you ‘Joy,’ because it was joy to me to find you, and I can talk
to you, and fancy that you understand me as you gaze thus at me with
your honest face of dumb intelligence. There are two have loved me; you
are one, my poor dumb Joy, and the—the other—I shall never—see—again—it
was Albert Seyton, and he has left me—even he. Oh, Albert, if I were
free as thou art, and thou wert hidden—”
Sinking his head upon his hands, again the beautiful boy burst into
tears, and sobbed so bitterly that the dog howled piteously, in unison
with its master’s grief.
Public-domain text, read in full here on John Shaqi.
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