Rosas himself was then in the full exercise of the dictatorial power with which he had been invested some years before, after refusing a re-election as governor of Buenos Ayres. His rule, which lasted under successive renewals of his office until 1852, was arbitrary and bloody; but in the disorganized condition of the provinces at that period a man of his force of character seems to have been necessary, to avert the greater horrors of constant intestine strife. "We concluded from our observations," notes Farragut in his journal, "that he was a man of uncommon mind and energy, and, as a general thing, reasonable; but on the subject of secret societies he was a madman, if we might judge from his furious denunciation of them." They constituted, indeed, the one resource of the cowed Unitarios, and were the chief danger then threatening him. "We had an excellent opportunity to form an idea of his character, as he appeared to throw off all restraint while with us. But the commodore informed us that, as soon as he laid business matters before him, Rosas was a different person; he was calm and measured in manner and language." The ladies of the family were amiable, intelligent and hospitable; but, like all the women of Buenos Ayres at that time, were perforce ardent Federalists and detesters of the "savage Unitarios." Farragut mentions an incident occurring at an official festivity in honor of Rosas, which shows the savagery that lay close under the surface of the Argentine character at that time, and easily found revolting expression in the constant civil strife and in the uncontrolled rule of the dictator. "In the ball-room was a picture which would have disgraced even barbarian society. It was a full-sized figure representing a Federal soldier, with a Unitarian lying on the ground, the Federal pressing his knees between the victim's shoulders, whose head was pulled back with the left hand, and the throat cut from ear to ear, while the executioner exultingly held aloft a bloody knife and seemed to be claiming the applause of the spectators. I am sure I do not err in saying that every one of our party felt an involuntary shudder come over him when his eye fell upon this tableau; nor did we afterward recover our spirits, everything in the way of gayety on our part during the night was forced and unnatural."