Adobe days : $b being the truthful narrative of the events in the life of a California girl on a sheep ranch and in El Pueblo de Nuestra Señora de Los Angeles while it was yet a small and humble town; together with an account of how three young men from Maine in eighteen hundred and fifty-three drove sheep and cattle across the plains, mountains and deserts from Illinois to the Pacific coast; and the strange prophecy of Admiral Thatcher about San Pedro harborBixby Smith, Sarah
History
Adobe days : $b being the truthful narrative of the events in the life of a California girl on a sheep ranch and in El Pueblo de Nuestra Señora de Los Angeles while it was yet a small and humble town; together with an account of how three young men from Maine in eighteen hundred and fifty-three drove sheep and cattle across the plains, mountains and deserts from Illinois to the Pacific coast; and the strange prophecy of Admiral Thatcher about San Pedro harbor
Bixby Smith, Sarah
Agriculture -- California; Bixby Smith, Sarah, 1871-1935 -- Childhood and youth; Ethnic groups -- California; Frontier and pioneer life -- California -- Los Angeles; Los Angeles (Calif.) -- Biography; Los Angeles (Calif.) -- History; Mines and mineral resources -- California; Real estate development
From the northern forests of the state he obtained handhewn redwood
which he used for the beams, floors and other interior woodwork, and
for the twelve-foot fence about the large garden.
The walls of the house were made from the usual large slabs of
sun-dried adobe, made on the spot. They were moulded in frames
constructed for making nine or twelve at a time; this frame was laid on
a level bit of ground and packed with clay-like mud, into which straw
had been tramped by the bare feet of the Indians; when exposure to the
sun had caused the shrinking away of the bricks from the wood, the
frame was lifted and the slabs left for further drying out.
When I was a child there was a pit below the house, near the river
where water could be obtained easily, in which I have watched the
mixing of the adobe; I saw the bricks made in small quantities for
purposes of repair or the building of a new wall.
The house was built with a two-storied central portion a hundred feet
long, with two one-storied wings about one hundred and sixty feet in
length, extending toward the river. The ends of these were joined by
a high adobe wall in which there was a single gate, its heavy wooden
doors being closed at night during its earlier history, but seldom
during the later period.
Originally the roofs were flat and roofed in the usual Southern
California fashion, first a layer of redwood planks, then a covering
of sand or gravel over which was poured hot brea (asphaltum) from the
open beds beyond Los Angeles. These were the same brea pits in which in
recent years the remarkable discoveries of pre-historic animal bones
have been made. In the days when my father and uncles first came to
California there were many dangerous wild animals still at large, but
fortunately the mastodons and sabre-tooth tigers, hyenas and milder
camels were all safely put away in brea storage.
When the summer sun was hot on the roofs the asphalt grew so soft that
we could dig it out with sticks and shape it with our fingers. Such
depredations undoubtedly contributed to the unsatisfactoriness of the
overhead shelter, but even without our intervention the alternate
shrinking and expansion of the substance made the roof more or less
like a sieve in winter. Uncle Jotham soon tired of rain inside the
house in winter, no matter how much he prayed for it outside, so that
very soon after he moved into the adobe he added a good old-fashioned
Yankee roof to the main portion of the house. The roofs on the wings
did not come until after I had learned the joy of the flat ones. Here
we used to go at sunset to wait for the homecoming of the fathers, for
whose returning buggies we could watch from this vantage ground. We
also could see the whole sunset sky, and the lovely pink lights on far,
faint Baldy.
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