American Scenery, Vol. 2 (of 2): or, Land, lake, and river illustrations of transatlantic natureWillis, Nathaniel Parker
General
American Scenery, Vol. 2 (of 2): or, Land, lake, and river illustrations of transatlantic nature
Willis, Nathaniel Parker
United States -- Description and travel
“The passage of the Potomac through the Blue Ridge, is, perhaps, one of
the most stupendous scenes in nature. You stand on a very high point of
land; on your right comes up the Shenandoah, having ranged along the
foot of the mountain a hundred miles to seek a vent. On your left
approaches the Potomac, in quest of a passage also; in the moment of
their junction, they rush together against the mountain, rend it
asunder, and pass off to the sea. The first glance of this scene hurries
our senses into the opinion that this earth has been created in time;
that the mountains were formed first, that the rivers began to flow
afterwards, that in this place particularly they have been dammed up by
the Blue Ridge of mountains, and have formed an ocean which filled the
whole valley; that, continuing to rise, they have at length broken over
at this spot, and have torn the mountain down from its summit to its
base. The piles of rock on each hand, but particularly on the
Shenandoah—the evident marks of their disrupture and avulsion from
their beds by the most powerful agents of nature, corroborate the
impression. But the distant finishing which nature has given to the
picture, is of a very different character; it is a true contrast to the
foreground; it is as placid and delightful as that is wild and
tremendous; for the mountain being cloven asunder, she presents to your
eye, through the cleft, a small catch of smooth blue horizon, at an
infinite distance in the plain country, inviting you, as it were, from
the riot and tumult roaring around, to pass through the breach and
participate of the calm below. Here the eye ultimately composes itself;
and that way, too, the road happens actually to lead. You cross the
Potomac above the junction, pass along its side through the base of the
mountain for three miles, its terrible precipices hanging in fragments
over you, and, within about twenty miles, reach Fredericktown, and the
fine country round that. This scene is worth a voyage across the
Atlantic; yet here, as in the neighbourhood of the Natural Bridge, are
people who have passed their lives within half a dozen miles, and have
never been to survey these monuments of a war between rivers and
mountains, which must have shaken the earth itself to its centre.”
[Illustration]
BARHYDT’S LAKE, NEAR SARATOGA.
* * * * *
I drove to Barhydt’s Lake, with the accomplished artist whose name is at
the bottom of the drawing, on one of the finest days of early September.
With a pair of crop ponies, whose _going_, simply, we acknowledged we
had never seen beaten on the smooth roads of England, and a day over our
heads of the most inspiriting freshness, we dashed through the pine
woods of Saratoga in a light waggon, and pulled up at Barhydt’s door in
twenty minutes from leaving the Springs.
Public-domain text, read in full here on John Shaqi.
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