Among the Great Masters of Music: Scenes in the Lives of Famous Musicians — John Shaqi
Among the Great Masters of Music: Scenes in the Lives of Famous MusiciansRowlands, Walter
History
Among the Great Masters of Music: Scenes in the Lives of Famous Musicians
Rowlands, Walter
Music in art; Musicians -- Biography; Musicians -- Portraits
Although Fanny's good father and mother, yielding to the prejudices of
their day, had struggled to make housekeeping her main interest, and
music only her recreation, yet they had not denied her musical genius a
complete education. Fanny was not only taught to play the piano in her
childhood, in company with Felix, but she was also allowed to receive
lessons in thorough bass and the theory of composition. She was thus
rendered capable of the expression of her musical talents; and in
between her household duties, after, as well as before she became a
wife and mother, she often found time to compose. Much of what she
wrote was of so high a character that her brother Felix felt no
hesitation in putting it forth to the world as _his_ own composition!
It is, apparently, impossible to discover which, amongst the works
published as those of Mendelssohn, were really those of his sister; but
references now and again occur in his private letters to the fact,
which thereby becomes incontrovertible, that he has claimed before the
public compositions which are hers exclusively. The most famous of
such passages is one that has became widely known in consequence of its
quotation in Sir Theodore Martin's "Life of the Prince Consort."
Mendelssohn is telling of his visit to the queen, at Buckingham Palace,
in 1842.
"The queen said she was very fond of singing my published songs. 'You
should sing one to him,' said Prince Albert, and after a little begging
she said she would. And what did she choose? 'Schoener und schoener
schmuckt sich;' sang it quite charmingly, in strict time and tune, and
with very good execution. Then I was obliged to confess that Fanny had
written that song (which I found very hard, but pride must have a
fall), and to beg her to sing one of my own also."
As her father had kept her from appearing before the public when she
was young, so her brother strenuously opposed her wish to publish her
work in her maturity. In the spring of 1837, Fanny, in defiance of
him, did issue one song with her own name to it. It had a great
success, and Felix himself graciously wrote to her after it had been
performed at a concert; "I thank you, in the name of the public, for
publishing it against my wish." Fanny's husband urged her to follow up
this success by issuing more of her works. "Her mother was of the same
opinion, and begged Felix to persuade Fanny to publish. The success
had not altered Felix's views, however, and he declined to persuade his
sister; and Fanny, who had herself no desire to appear in print,
readily gave up the idea."
Public-domain text, read in full here on John Shaqi.
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