We went to the opera, too; it was Les Huguenots. To this day I cannot tell who were the singers. I never knew, or thought, or cared. And the bare shoulders flashing with jewels in the boxes around us, the _claqueurs_ in the centre, hired to applaud, clapping their hands with the regularity of clock-work, the empty imperial box, were nothing to the sight of Paris portrayed within itself. You know the familiar opera; do think how strange it was to see it in Paris; to look upon the stage and behold the Seine and the towers of Notre Dame; the excited populace rising up to slay and to be slain, with all the while this same fickle French people serenely smiling, and chatting, and looking upon it--the people who were even then ready at a word to reënact the same scenes for a different cause. Just outside, only a day or two before, something of the same spirit, portrayed here for our amusement, had broken out again in the election riots. And we remembered that, as we drove around the corner to the opera house, mounted soldiers stood upon either side, while every other man upon the street was the eye, and ear, and arm of the emperor, who knew that the very ground beneath his fair, white city tottered and reeled. We saw the emperor and empress one day, after having looked for them long and in vain upon the Champs Elysées, and in the Bois de Boulogne where gay Paris disports itself. It was the morning after the riot, when they drove unattended, you will remember, through the streets where the rioters had gathered. We were in one of the shops upon the Rue de Rivoli. Just across the way rose the Tuileries from the sidewalk. A crowd began to collect about the open archway through the palace, which affords entrance and egress to the great square around which the palace is built. "What is it?" we asked of the voluble Frenchman who was gradually persuading us that brass was gold. "L'Empereur," he replied; which sent us to the sidewalk, and put from our minds all thoughts of oxidized silver and copper-colored gold. Just within the arch paced a lackey in livery of scarlet and gold, wearing a powdered wig and general air of importance. On either side, the sentries froze into position. The _gendarmes_ shouted and gesticulated, clearing the streets. A mounted attendant emerged from the archway; there followed four bay horses attached to a plain, dark, open carriage; upon the front seat were two gentlemen, upon the back, a gentleman with a lady by his side. His hair was iron gray, almost silvery. He turned his face from us as he raised his hat gravely to the crowd, displaying a very perceptible bald spot upon the back of his head as he was whizzed around the corner and down the street. And that was Napoleon III. We saw no American lady in Paris dressed so simply as the empress. Something of black lace draped her shoulders; a white straw bonnet, trimmed with black, with a few pink roses resting upon her hair, crowned her head. She bowed low to the