An Eagle Flight: A Filipino Novel Adapted from Noli Me TangereRizal, José
History
An Eagle Flight: A Filipino Novel Adapted from Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
"I am in no way accountable to you for my actions. Every one is
welcome at my fetes." And he turned away.
The sergeant, finding he was making no headway, ordered his men to
search on all sides. They had the helmsman's description on paper.
"Notice that this description answers well for nine-tenths of the
natives," said Don Filipo; "see that you make no mistakes!"
Quiet came back little by little. There were no end of questions.
"So this is the Elias who threw the alferez into the swamp," said Leon.
"He's a tulisane then?" asked Victoria, trembling.
"I think not, for I know that he once fought against the tulisanes."
"He hasn't the face of a criminal," said Sinang.
"No; but his face is very sad," said Maria. "I did not see him smile
all the morning."
The day was ending, and in the last rays of the setting sun
everybody left the wood, passing in silence the tomb of Ibarra's
ancestor. Farther on conversation again became animated, gay, full
of warmth, under these branches little used to merry-making. But the
trees appeared sad, and the swaying bindweed seemed to say: "Adieu,
youth! Adieu, dream of a day!"
XXI.
WITH THE PHILOSOPHER.
The next morning, Juan Crisostomo Ibarra, after visiting his land,
turned his horse toward old Tasio's.
Complete quiet reigned in the old man's garden; scarcely did the
swallows make a sound as they flew round the roof. The old walls of
the house were mossy, and ivy framed the windows. It seemed the abode
of silence.
Ibarra tied his horse, crossed the neat garden, almost on tiptoe, and
entered the open door. He found the old man in his study, surrounded
by his collections of insects and leaves, his maps, manuscript, and
books. He was writing, and so absorbed in his work that he did not
notice the entrance of Ibarra until the young man, loath to disturb
him, was leaving as quietly as he had come.
"What! you were there?" he cried, looking at Crisostomo with a certain
astonishment.
"Don't disturb yourself; I see you are busy----"
"I was writing a little, but it is not at all pressing. Can I be of
service to you?"
"Of great service," said Ibarra, approaching; "but--you are deciphering
hieroglyphics!" he exclaimed in surprise, catching sight of the old
man's work.
"No, I'm writing in hieroglyphics."
"Writing in hieroglyphics? And why?" demanded the young man, doubting
his senses.
"So that no one can read me."
Ibarra looked at him attentively, wondering if he were not a little
mad after all.
"And why do you write if you do not wish to be read?"
"I write not for this generation, but for future ages. If the men
of to-day could read my books, they would burn them; the generation
that deciphers these characters will understand, and will say: 'Our
ancestors did not all sleep.' But you have something to ask of me,
and we are talking of other things."
Ibarra drew out some papers.
"I know," he said, "that my father greatly valued your advice, and
I have come to ask it for myself."
Public-domain text, read in full here on John Shaqi.
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