Anastasia: The autobiography of H.I.H. the Grand Duchess Anastasia Nicholaevna of Russia — John Shaqi
Anastasia: The autobiography of H.I.H. the Grand Duchess Anastasia Nicholaevna of RussiaSmith, Eugenia
History
Anastasia: The autobiography of H.I.H. the Grand Duchess Anastasia Nicholaevna of Russia
Smith, Eugenia
Anastasiia Nikolaevna, Grand Duchess, daughter of Nicholas II, Emperor of Russia, 1901-1918
In our library we had some rare scrolls and texts. They had come from
Egypt, Persia, Palestine, Sinai, and elsewhere. One of these was the
famous Codex Sinaiticus, dating from the fourth century A.D., which was
first discovered by the German scholar Tischendorff in a monastery on
the Sinai peninsula. Great-grandfather, Alexander II, had acquired the
manuscript; later, in 1862, he had it published. There were also very
early Russian texts. All these were under lock and key but we could
see them in the glass case. Father knew the history of each of these
texts and versions. The children’s library was separate. On its shelves
were Russian fables and stories, and there were translations from the
Danish. We had some originals signed by Hans Christian Andersen.
Mother was reared and educated in England and Germany and distinguished
herself in her studies. She, herself, was a philosopher and often
discussed philosophy with her friends. She saw things the others could
not see and sometimes connected religion with the writings of the great
philosophers.
However, she was not a fanatic as many described her, but she could
see and understand things the others did not. She was well informed on
various subjects. She understood and reasoned the value and depth of
her religion. Her and Father’s knowledge of history surpassed that of
many historians and their vocabulary was powerfully rich.
When Mother was strong enough, we children joined her at luncheon or
tea. In the winter she selected a sunny room where a folding table
was used for the occasion. One of Mother’s rooms was decorated in her
favorite color, mauve, and was cosy with matching brocades, curtains
and upholstery. One wall was covered with a collection of icons which
were gifts from different people. These were continually lighted by
two lamps, one blue and one pink. Some of these icons were the most
beautiful that Byzantine art could produce, others were very simple,
but all were symbols to Mother and a means of remembering the donors.
Mother loved every one of them, and was most appreciative when people
presented her one of these religious treasures. Some of them she
carried with her from Tsarskoe Selo to Alexandria and Livadia palaces
and later to Tobolsk and Ekaterinburg. She wanted to have the most
meaningful in her room. Others hung in one of the small rooms of the
chapel together with some of her Bibles and a panagia. She also had
some icons of great historic importance.
Icons of these types were made only by the Greeks, Russians, Serbians,
Bulgarians, and Rumanians. No statues were permitted in our churches,
since we discarded the pagan idols at the time of the adoption of the
Greek orthodox religion. A lot of the best treasures in the country
were looted during the revolution. Other gifts were hung in the long
hall which ran the whole length of the palace including all kinds of
plates and other objects of historical value which we had received
during many trips in Russia and abroad.
Public-domain text, read in full here on John Shaqi.
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