Anathema: A Tragedy in Seven ScenesAndreyev, Leonid
General
Anathema: A Tragedy in Seven Scenes
Andreyev, Leonid
Andreyev, Leonid, 1871-1919 -- Translations into English; Russian drama -- Translations into English; Tragedies (Drama)
Farewell, fool. To-morrow people will find your body here and will bury
you with pomp, according to the custom of the people. Kind-hearted
murderers, they love those they kill. And out of the rocks with which
they stoned you for your love, they will erect a tall, crooked, and
stupid tombstone. And in order to enliven the stupid, dead pile of
stone, they will put me on the top.
_He laughs. Then he suddenly breaks of his laughter
and assumes a haughty pose._
Who shall wrench the victory from the hands of Anathema? The strong I
kill, the weak I force to whirl about in an intoxicating dance--a mad
dance--a devilish dance.
_He strikes the ground with his foot._
Be subdued, O earth, and bring me your gifts humbly! Kill, burn,
betray, O man, in the name of your master! I steer my boat over a sea
of blood which smells so sweetly,--and my sails are burning red--
_To heaven._
To you, for an answer! Not as a dog crawling on his belly, but as a
distinguished guest, as the reigning prince of the earth, I shall come
sailing to your mute shores.
_Majestically._
Be prepared. I shall demand an exact answer. Ha, ha, ha!
_Disappears in the darkness, bursting into
laughter._
CURTAIN.
EPILOGUE.
_Nothing has happened; nothing has changed. As before, the earth is
weighted down by the heavy iron Gates, closed from time immemorial,
beyond which dwells in silence and in mystery the Beginning of every
being, the Supreme Wisdom of the universe. And the Guardian of the
Entrances is just as silent and as sternly motionless as before.
Nothing has happened; nothing has changed._
_The grey light, as grey as the rocks, is terrible; the place is
terrible, but Anathema likes it. And he appears again; but he does
not crawl on his belly like a dog; nor does he hide himself beyond
the rocks like a thief. Like a conqueror, he is trying to seal his
victory by his haughty gait, by the importance of his slow movements.
But as the Devil can never be truthful, and as there are no bounds
to his doubts, he brings his duality even into this: He walks like
a conqueror, yet he is afraid; he throws his head back high like a
sovereign, and yet he laughs at his exaggerated self-importance; a
gloomy and malicious clown, he longs for greatness; and forced to
laugh, he despises laughter._
_Thus, assuming important airs beyond measure, he goes up to the
middle of the mountain and waits there in a haughty pose. But his
uncertain importance is devoured by the silence, even as dry wood is
devoured by fire--and he begins to hurry, without holding out the
pause, like a poor musician, striving to conceal himself and his doubts
and his odious fear in a vast deal of jests, in loud shouting and in
rapid gestures. He stamps his foot and shouts in a voice of assumed
sternness._
ANATHEMA.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account