Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188Holmes, William Henry
History
Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188
Holmes, William Henry
Chiriquí (Panama : Province) -- Antiquities; Indian pottery -- Panama; Indians of Central America -- Panama
_Forms of vessels._--Divesting the utensil of extraneous features, such
as rims, handles, and legs, we have the following series of shapes,
which shows a pretty full graduation of outline from extreme to extreme.
Beginning with the simplest fundamental form, the shallow cup (Fig. 45,
_a_), we ascend gradually to more complex outlines, such as are seen in
the hemispherical bowl (_b_), the deep basin with slightly incurved rim
(_c_), the globular form (_d_), and the elongated form (_e_).
Occasionally we see an eccentric variation, such as is shown in _f_.
Flat bottoms are unusual; a conical base is the rule. Outlines do not
always exhibit these even, convex curves, but many are straight or
concave in profile, as shown in Fig. 46. Complex forms are shown in
Fig. 47, _a_ and _b_, and compound forms in Fig. 48, _a_ and _b_.
Examples of these classes are numerous and important. The compound
shapes result from the union of two or more simple forms. Eccentric
forms are numerous and result in a majority of cases from the employment
of some animal as a model. Thus, if an alligator or almost any quadruped
is embodied in the vessel, the form tends to become elongated; if a crab
or a fish is imitated, there is a tendency to flatness &c. The base is
almost universally more or less conical, is rarely flat, and never
concave, excepting as the result of the addition of an annular foot or
stand. The radical shapes do not undergo any considerable change when
rims, necks, handles, legs, and other appendages are added. The rim or
lip is in many cases incurved, but as a rule it is turned outward. The
margin is plain, symmetrical, and often considerably thickened. In a few
instances the outline is rectangular or scalloped, as shown in Fig. 49,
and the attachment of handles often leads to peculiar outlines, as will
be seen further on.
[Illustration:
_a, b_
Fig. 48. Vases of compound forms.]
[Illustration: Fig. 49. Square lipped vessel.]
[Illustration:
_a, b, c, d_
Fig. 50. Variations in the forms of necks and rims--various groups
of ware.]
The neck in its simplest form is a narrow upright band surrounding the
orifice (Fig. 50, _a_) and is not differentiated from the rim.
Variations in size and shape are shown in the remaining figures of the
series. In _b_ it is a narrow constricted band beneath an overhanging
rim, in _c_ it is upright and considerably elongated, and in _d_ it
expands, giving a funnel shaped mouth. The exterior surface is very
generally decorated with relieved or painted devices. High necked
bottles and pitcher shaped vessels are unknown.
[Illustration:
_a, b, c, d, e, f_
Fig. 51. Arrangement of handles--various groups of ware.]
Public-domain text, read in full here on John Shaqi.
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