After the blowing up of the Kirk of the Field, the only one of Darnley's
servants that escaped was brought by the Earl of Murray before the
English Council, and there gave evidence, implying that Queen Mary--that
ever-interesting princess, who has been doubtlessly both over-decried by
her foes and over-praised by her friends--was cognisant of the intended
murder of her husband, inasmuch as, beforehand, she ordered an old bed
to be placed in Darnley's room, and the richer bed that previously stood
in it to be removed. Nearly three hundred years after that dark and
sordid insinuation was made, a roll of papers was casually found, during
a search among some legal documents of the early part of the seventeenth
century, and one of the leaves in that roll contained a contemporary and
authenticated official return of the royal furniture lost by the blowing
up of the King's residence. Among other items, this leaf proved, beyond
the possibility of further cavil, that the bed which stood in Darnley's
room was, up to the time of his death, unchanged, and was not, as
alleged by Mary's enemies, an old and worthless piece of furniture, but,
on the contrary, was "a bed of violet velvet, with double hangings,
braided with gold and silver (ung lictz de veloux viollet a double pante
passemente dor et argent)."
The finest old Teutonic cross in Scotland is the well-known pillar which
stands in the churchyard of Ruthwell, in Dumfriesshire. It was
ignominiously thrown down, by a decree of the General Assembly of the
Presbyterian Church, in 1642; but its broken fragments were collected,
as far as possible, and the cross itself again erected, by the late
clergyman of the parish, Dr. Henry Duncan, who published in the
Transactions of this Society correct drawings of the Runic inscription
on this ancient monument. Two Danish antiquaries, Repp and Finn
Magnusen, tried to read these Runic lines, and tortured them into very
opposite, and let me simply add, very ridiculous meanings, about a grant
of land and cows in Ashlafardhal, and Offa, a kinsman of Woden,
transferring property to Ashloff, etc., all which they duly published.
That great antiquary and Saxon scholar, the late Mr. Kemble, then
happened to turn his attention to the Ruthwell inscription, and saw the
runes or language to be Anglo-Saxon, and in no ways Scandinavian, as had
been supposed. He found that the inscription consisted of a poem, or
extracts from a poem, in Anglo-Saxon, in which the stone cross, speaking
in the first person, described itself as overwhelmed with sorrow because
it had borne Christ raised upon it at His crucifixion, had been stained
with the blood poured from His side, and had witnessed His agonies,--
"I raised the powerful King,
The Lord of the heavens;
I dared not fall down," etc. etc.
Public-domain text, read in full here on John Shaqi.
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