Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
Mary saw, at once, how much she interested him. Although he had made no
complaint of life—he never did—she realized he was unhappy, and so one
evening when they found themselves alone in the room where her mother’s
portrait hung she spoke to him of her own troubles. She adored her
father, but detested Mrs. Godwin on whose account the home in Skinner
Street was become odious to her. The only place in the world where she
felt herself at peace was by her mother’s tomb in the churchyard of old
St. Pancras. She went there book in hand every fine day to read and
meditate. Shelley, thrilled, asked if he might go with her.
* * *
Thus, after an interval of five years, he found himself sitting again at
a young girl’s side in a graveyard, but this time his companion was of a
serious and impassioned soul. For the second time the Word was made
Woman. But, alas, Shelley was no longer free. He felt himself drawn to
Mary by an irresistible force. He longed to take her hand, to press his
lips to her delicately curved ones, he knew that she desired him, as he
did her, and they dared not let their eyes meet. What could he offer
her? He was a married man. It is true that marriage is only a
convention. When one loves no longer, one is free. He had never promised
Harriet more than this; besides, believing her to be the mistress of
Major Ryan, he felt no scruples on her account. But his marriage was
legally indissoluble. He had nothing to offer Mary but that reprobate
existence which he had not dared to impose on his first love, Harriet
Grove.
Nevertheless, a love shared, even though hopeless, is better than
uncertainty and moral isolation. He determined to tell Mary the whole
truth about his wife. Married love, even as it dies, long holds out
behind a mask of silence against the world’s assaults, but there comes a
moment when a man finds a bitter joy in laying bare his wounds.
Shelley drew a picture of Harriet as he now saw her, and by an
unconscious change of values lent, to his very human deception, motives
of a spiritual order. He had needed a companion who could appreciate
poetry and understand philosophy. Harriet was incapable of either. He
took a painful pleasure, also very human, in depreciating the grapes
which he had lost.
He gave Mary a copy of _Queen Mab_. Under the printed dedication of that
poem to Harriet, he wrote the words, “Count Slobendorf was about to
marry a woman who, attracted solely by his fortune, proved her
selfishness by deserting him in prison.” Back in her own room, Mary
added, “This book is sacred to me, and as no other creature shall ever
look into it, I may write in it what I please—yet what shall I
write—that I love the author beyond all powers of expression and that I
am parted from him, dearest and only love—by that love we have promised
to each other although I may not be yours, I can never be another’s. But
I am thine, exclusively thine.
Public-domain text, read in full here on John Shaqi.
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