Besides the belief of the red flower there are numerous other beliefs
hallowed by the day. Nightingales that fly over the battlefield are
supposed to sing "Vartan, Vartan," and there is a species of antelope
with a pouch of fragrant musk under its throat which is said to have
acquired its fragrance by browsing on herbage wet with the blood of
Armenian heroes. [138]
Altogether it is the kind of festival to give expression to the
sentiment I have spoken of as love for the country, for its mountains,
rivers, and valleys, and for its ideals of freedom, independence,
and strength. In the presence of the state the festival probably
would be utilized to foster and give expression to the sentiment of
loyalty to the state. There would be specially chosen speakers to talk
of patriotism, waving of banners, and carefully designed methods of
instilling hatred for a real or supposed enemy, much as French school
children have been taught to hate Englishmen. But in the absence of
the state, the sentiment expressed must be a purer sentiment, loftier
and freer, and one can not but regret that Vartan's Day and similar
festivals have been suppressed by the Turkish government. And yet,
one could not reasonably expect otherwise.
SECTION 3. FORTUNE-TELLING DAY
Most charming and most picturesque of festivals is that participated
in by the romantic Armenian maidens on the early dawn of Ascension
Day. [139] On the eve of the same day the young girls who wish their
fortunes told, decorate a large bowl with specially selected flowers,
after which each girl casts a token, a ring, a brooch, a thimble,
into the bowl. Flowers of several kinds are then put in, and the
bowl is filled with water drawn from seven springs. Then they cover
it with an embroidered cloth and take it by night to the priest who
says a prayer over it. The most carefully and daintily prepared bowl
is then placed out in the moonlight, open to the stars where it is
left until dawn. At early daybreak of the next morning, the maidens,
furnished with provisions for the entire day, go out of the village
carrying their bowl to the side of a spring, the foot of a mountain,
or into an open field, gathering on the way various kinds of flowers
with which they deck themselves. Having arrived at their place of
festival, they play games, dance, and sing, after which they take
a beautiful little girl, too young to tell where the sun rises,
who has been previously chosen and gaily dressed for the occasion,
to draw the various articles out of the bowl. The face of the child
is covered with a richly wrought veil that she may not see what is
in the bowl, and she then proceeds to withdraw the articles which
she holds in her hand one at a time. While this is done some one of
the party recites a charm song, and the owner of each token takes
the song which accompanies it as her fortune. There are thousands
of these charm songs, most of which have been written especially for
the festival, of which I shall give but a few.
Public-domain text, read in full here on John Shaqi.
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