Ars Amatoria; or, The Art Of Love: Literally Translated into English Prose, with Copious NotesOvid
General
Ars Amatoria; or, The Art Of Love: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
But while I am in harbour, let a gentle breeze impel me, destined to
sail with the blasts of a stronger gale. I begin with dress: [1018] from
the well-dressed vine Bacchus has birth; and in the well-dressed field
the high corn springs up. Beauty is the gift of the Divinity; how many
a one prides herself on her beauty? Still, a great part [1019] of you
is wanting in such endowments. Care will confer charms; charms neglected
will perish, even though she be like the Idalian Goddess. If the fair of
olden times did not pay such attention to their persons; neither had the
ancients men so well-dressed. If Andromache was clad in a coarse tunic,
what wonder is it? She was the wife of a hardy soldier. And would his
companion, forsooth, come bedecked to Ajax, him whose covering was seven
hides of oxen. Formerly a rustic simplicity existed: now gorgeous Rome
possesses the wealth of the subdued earth. See the Capitol, what it now
is and what it was, you would declare that they belonged to different
Jupiters. The Senate-house, which is now right worthy of an assemblage
so august, when Tatius held the sway, was made of straw. The fields of
the Palatine hill, which are now resplendent in honour of Phoebus [1020]
and our rulers, what were they but pastures for the oxen that ploughed?
Let old times delight others: I congratulate myself that I am born
thus late; this is the age that is suited to my tastes. Not because the
pliable gold is now dug out of the earth, and choice shells [1021] come
here from foreign shores; nor yet because, the marble cut out, mountains
diminish; nor yet because the azure waves are kept out by the moles.
[1022] But because civilization prevails; and because the rude manners
that flourished with our ancient forefathers have not come down to our
days.
Public-domain text, read in full here on John Shaqi.
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