Arthur O'Leary: His Wanderings And Ponderings In Many LandsLever, Charles
General
Arthur O'Leary: His Wanderings And Ponderings In Many Lands
Lever, Charles
Fiction
“Yes, you’re right, that is by Van Dyck; only a sketch to be sure, but
has all his manner. I like the Velasquez yonder better, but they both
possess the same excellence. _They_, could represent _birth_. Just see
that dark fellow there, he’s no beauty you’ll say, but regard him
closely, and tell me, if he’s one to take a liberty with; look at his
thin, clenched lip, and that long thin, pointed chin, with its straight
stiff beard--can there be a doubt he was a gentleman? Take care, gently,
your elbow grazed it. That, is a specimen of the old Japan china--a lost
art now, they cannot produce the blue colour, you see there, running
into green. See, the flowers are laid on after the cup is baked, and the
birds are a separate thing after all; but come, this is, perhaps,
tiresome work to you, follow me.”
Notwithstanding my earnest entreaty to remain, he took me by the arm,
and opening a small door, covered by a mirror, led me into another room,
the walls and ceiling of which were in dark oak wainscot; a single
picture occupied the space above the chimney, to which, however, I gave
little attention, my eyes being fixed upon a most appetizing supper,
which figured on a small table in the middle of the room. Not even the
savoury odour of the good dishes, or my host’s entreaty to begin, could
turn me from the contemplation of the antique silver covers, carved in
the richest fashion. The handles of the knives were fashioned into
representations of saints and angels, and the costly ruby glasses, of
Venetian origin, were surrounded with cases of gold filagree, of the
most delicate and beautiful character.
“We must be our own attendants,” said the host. “What have you there?
Here are some Ostende oysters, _en matelot;_ that is a small capon
_truffé_; and, here are some cutlets _aux points d’asperge_, But let us
begin, and explore as we proceed; a glass of Chablis, with your oysters;
what a pity these Burgundy wines are inaccessible to you in England!
Chablis, scarcely bears the sea, of half a dozen bottles, one, is
drinkable; the same of the red wines; and what is there so generous? not
that we are to despise our old friend, Champagne; and now that you’ve
helped yourself to _paté_, let’s us have a bumper. By-the-bye, have they
abandoned that absurd notion they used to have in England about
Champagne? when I was there, they never served it during the first
course. Now Champagne should come, immediately after your soup--your
glass of Sherry or Madeira, is a holocaust offered up to bad cookery;
for if the soup were safe, Chablis or Sauterne is your fluid. How is the
capon? good, I’m glad of it. These countries excel in their
_poulardes_.”
In this fashion my companion ran on, accompanying each plate with some
commentary on its history, or concoction; a kind of dissertation, I must
confess, I have no manner of objection to, especially, when delivered by
a host who illustrates his theorem, not by “plates” but “dishes.”
Public-domain text, read in full here on John Shaqi.
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