At the Sign of the Cat and RacketBalzac, Honoré de
General
At the Sign of the Cat and Racket
Balzac, Honoré de
France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
revealed the owner’s want of occupation, Sommervieux’s famous picture
filled the place of honor, and in it Monsieur and Madame Guillaume found
their chief consolation, turning their eyes, harnessed with eye-glasses,
twenty times a day on this presentment of their past life, to them so
active and amusing. The appearance of this mansion and these rooms,
where everything had an aroma of staleness and mediocrity, the spectacle
offered by these two beings, cast away, as it were, on a rock far from
the world and the ideas which are life, startled Augustine; she could
here contemplate the sequel of the scene of which the first part had
struck her at the house of Lebas--a life of stir without movement, a
mechanical and instinctive existence like that of the beaver; and then
she felt an indefinable pride in her troubles, as she reflected that
they had their source in eighteen months of such happiness as, in her
eyes, was worth a thousand lives like this; its vacuity seemed to her
horrible. However, she concealed this not very charitable feeling, and
displayed for her parents her newly-acquired accomplishments of mind,
and the ingratiating tenderness that love had revealed to her, disposing
them to listen to her matrimonial grievances. Old people have a weakness
for this kind of confidence. Madame Guillaume wanted to know the most
trivial details of that alien life, which to her seemed almost fabulous.
The travels of Baron da la Houtan, which she began again and again and
never finished, told her nothing more unheard-of concerning the Canadian
savages.
“What, child, your husband shuts himself into a room with naked women!
And you are so simple as to believe that he draws them?”
As she uttered this exclamation, the grandmother laid her spectacles
on a little work-table, shook her skirts, and clasped her hands on her
knees, raised by a foot-warmer, her favorite pedestal.
“But, mother, all artists are obliged to have models.”
“He took good care not to tell us that when he asked leave to marry
you. If I had known it, I would never had given my daughter to a man who
followed such a trade. Religion forbids such horrors; they are immoral.
And at what time of night do you say he comes home?”
“At one o’clock--two----”
The old folks looked at each other in utter amazement.
“Then he gambles?” said Monsieur Guillaume. “In my day only gamblers
stayed out so late.”
Augustine made a face that scorned the accusation.
“He must keep you up through dreadful nights waiting for him,” said
Madame Guillaume. “But you go to bed, don’t you? And when he has lost,
the wretch wakes you.”
“No, mamma, on the contrary, he is sometimes in very good spirits. Not
unfrequently, indeed, when it is fine, he suggests that I should get up
and go into the woods.”
Public-domain text, read in full here on John Shaqi.
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