At the Sign of the Fox: A RomanceWright, Mabel Osgood
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At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
“Do be content, child, to let the talk wear itself out. From what the
doctor told my father this morning, your father may be a long time like
this—weeks and months perhaps—even if by and by he comes to himself. It
isn’t like a toothache that will be over to-morrow. You can’t rush out on
the avenue and pull the people up here in flocks to see for themselves,
though by to-morrow, just as soon as society has made up its mind what it
ought to do, you’ll have plenty of callers. You told me yourself that the
result of the consultation was that everything hinges on quiet.
“By the way, there were two reporters clamouring at the lift when I went
out, one actually trying to bribe the boy to tell whether your father
was really here in the apartment. I sent them scurrying in a hurry, I
can tell you. Listen! I believe that there is another at the door now;
anyway, some one is asking for you. I think I heard the words _Daily
Forum_,” and Lucy pulled aside the curtain, and going to the angle in the
hallway peered down its length to where the maid was talking in whispers
to a tall somebody in pantaloons.
“Yes, it is a reporter,” said Lucy, stepping back noiselessly. “Sellers
is trying to shoo him out, but he’s all inside the door and asking, not
a bit humbly, to see ‘a member of the family.’ Watch and see how long
it will take me to get rid of him,” and Lucy pulled on and buttoned her
gloves, which, on coming in, she had begun to take off, with a gesture as
though fists were to take part in the encounter, if necessary.
Brooke, who had been listening to Lucy, yet not looking at her, with eyes
fixed on the crumpled paper before her, suddenly sprang to her feet, the
warning flash returning to her eyes, saying: “Don’t go; I will see this
man myself, and please remember, Lucy, whatever I may say or do, you are
not to speak. No, don’t leave the room. I want you to stay by me, but
this matter of father’s feigning illness is an affair of honour that only
one of the family can conduct.”
Going quickly down the hall, she relieved the harassed maid by indicating
to the visitor that he was to follow her, at the same time making a
gesture to caution silence, as she guided him back to the den.
What he first saw on entering the room was the tall, straight figure of a
young woman, back turned, half a hat and one cheek outlined against the
lace drapery, through which she was looking into the street with a frozen
fixedness, as if her very life depended upon not moving or turning the
fraction of an inch. His second glance rested on the other woman, who,
having preceded him, was standing by the desk corner, half supporting
herself by it. She raised her head with its wreath of ash-brown hair
proudly, and looked him in the face with eyes in which anger struggled
with a pleading expression, in keeping with the heavy shadows that
underlay them.
Public-domain text, read in full here on John Shaqi.
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