To take the dead, dry bones of words, the tiny black things that march in set spaces across the page; to set each where it inevitably belongs--truly, it seems simple enough. But from the vast range of our written speech to select those which fittingly clothe the thought is quite another matter, and presupposes the thought. Even then, by necessity, the outcome is uncertain. Within the mind of the writer, the Book lives and breathes; a child of the brain, yearning for birth. At a white heat, after long waiting, the words come--merely a commentary, an index, a marginal note of that within. Reading afterward the written words, the fine invisible links, the colour and the music, are treacherously supplied by the imagination, which is at once the best friend and the worst enemy. How is one to know that only a small part of it has been written, that the best of it, far past writing, lingers still unborn? Long afterward, when the original picture has faded as though it had never been, one may read his printed work, and wonder, in abject self-abasement, by what miracle it was ever printed. He has trusted to some unknown psychology which strongly savours of the Black Art to reproduce in the minds of his readers the picture which was in his, and from which these fragmentary, marginal notes were traced. Only the words, the dead, meaningless words, stripped of all the fancy which once made them fair, to make for the thousands the wild, delirious bliss that the writer knew! To write with the tears falling upon the page, and afterward to read, in some particularly poignant and searching review, that "the book fails to convince!" Happy is he whose written pages reproduce but faintly the glow from whence they came. For "whoso with blood and tears would dig Art out of his soul, may lavish his golden prime in pursuit of emptiness, or, striking treasure, find only fairy gold, so that when his eyes are purged of the spell of morning, he sees his hands are full of withered leaves." A meadow-lark, rising from a distant field, dropped golden notes into the still, sunlit air, then vanished into the blue spaces beyond. A bough of apple bloom, its starry petals anchored only by invisible cobwebs, softly shook white fragrance into the grass. Then, like a vision straight from the golden city with the walls of pearl, came Elaine, the beautiful, her blue eyes laughing, and her scarlet lips parted in a smile. Harlan's heart sang within him. His trembling hands grasped feverishly at the sheaf of copy-paper which had waited for this, week in and week out. The pencil was ready to his hand, and the words fairly wrote themselves: