Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
General
Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
'It was a nice dinner throughout, mother, and the table looked lovely.'
'Well, I saw Miss Lansing look at the cloth. She was too much of a lady
to say anything, of course, but I could tell she noticed it.'
'Yes,' said Eunice, 'I think she did.'
Mrs. Day was closing her door.
'Put out the light in the hall before you go to bed, Eunice.'
'Yes, mother,' said Eunice, softly closing her own door.
She stood still a moment in the centre of the candle-lighted room. Then
she went over to the Glory-Box and took out the kimono and laid it over
the footboard so that the pink folds could catch the light. When she had
undressed, she put it on. 'It will be a beautiful ending to the day,'
she said, as she stood before the mirror braiding her hair.
Her eyes rested on Stephen's picture.
'I think you would have been proud to-day, dear, and I think you would
have liked this.'
She turned to the mirror, and looked at the girl reflected there, at the
dark eyes and hair and at the kimono draping her soft white gown.
'Dawn and apple-blossoms,' she whispered and then stretched out her
arms.
'Stephen, my dear! O Stephen.'
THE SPIRIT OF THE HERD[7]
BY DALLAS LORE SHARP
I
We were trailing the 'riders' of P Ranch across the plains to a hollow
in the hills called the 'Troughs,' where they were to round up a lot of
cattle for a branding. On the way we fell in behind a bunch of some
fifty cows and yearlings which one of the riders had picked up; and,
while he dashed off across the desert for a 'stray,' we tenderfeet drove
on the herd. It was hot, and the cattle lagged, so we urged them on. All
at once I noticed that the whole herd was moving with a swinging,
warping gait, with switching tails, and heads thrown round from side to
side as if every steer were watching us. We were not near enough to see
their eyes, but the rider, far across the desert, saw the movement and
came cutting through the sage, shouting and waving his arms to stop us.
We had pushed the driving too hard. Mutiny was spreading among the
cattle, already manifest in a sullen ugly temper that would have brought
the herd charging us in another minute, had not the cowboy galloped in
between us just as he did--so untamed, unafraid, and instinctively
savage is the spirit of the herd.
It is this herd-spirit that the cowboy, on his long, cross-desert drives
to the railroad, most fears. The herd is like a crowd, easily led,
easily excited, easily stampeded,--when it becomes a mob of frenzied
beasts, past all control,--the spirit of the city 'gang' at riot in the
plains.
If one would know how thin is the coat of domestication worn by the
tamest of animals, let him ride with the cattle across the rim-rock
country of southeastern Oregon. No better chance to study the spirit of
the herd could possibly be had. And in contrast to the cattle, how
intelligent, controlled, almost human, seems the plainsman's horse!
I share all the tenderfoot's admiration for the cowboy and his 'pony.'
Public-domain text, read in full here on John Shaqi.
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