If I call Froude a poet it is because, as I explained before, I do not
consider rhyme as essential to poetry. But for really poetical power,
for power of description, of making the facts of history alive, of
laying bare the deepest thoughts of men and the most mysterious feelings
of women, there was no poet or historian of our age who came near him. I
knew him through all his phases. I knew him first when he was still a
fellow of Exeter College. I was at that time often with him in his rooms
in High Street, opposite to St. Mary’s Church, when he was busy writing
novels, and I well remember passing an evening with him and trying to
find the right name for a novel which afterwards appeared under the
title of “Nemesis of Faith.” I saw him almost daily while his
persecution at Oxford was going on, gaining strength every day. He had
to give up his fellowship, on which he chiefly depended. I will not
repeat the old story that his novel was publicly burnt in the quadrangle
of Exeter College. The story is interesting as showing how quickly a
myth can spring up even in our own lifetime, if only there is some
likelihood in it, and something that pleases the popular taste. What
really happened was, as I was informed at the time by Froude himself, no
more than that one of the tutors (Dr. Sewell) spoke about the book at
the end of one of his College Lectures. He warned the young men against
the book, and asked whether anybody had read it. One of the
undergraduates produced a copy which belonged to him. Dr. Sewell
continued his sermonette, and warming with his subject, he finished by
throwing the book, which did not belong to him, into the fire, at the
same time stirring the coals to make them burn. Of what followed there
are two versions. Dr. Sewell, when he had finished, asked his class,
“Now, what have I done?” “You have burned my copy,” the owner of the
book said in a sad voice, “and I shall have to buy a new one.” The other
version of the reply was, “You have stirred the fire, sir.”
Public-domain text, read in full here on John Shaqi.
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