English poetry -- 19th century; Epic poetry, English; Novels in verse
If feeble, thus to justify his match.
So be it then. But how this serves your ends,
And how the strange confession of your love
Serves this, I have to learn—I cannot see.’
She knit her restless forehead. ‘Then, despite,
Aurora, that most radiant morning name,
You’re dull as any London afternoon.
I wanted time,—and gained it,—wanted _you_,
And gain you! You will come and see the girl,
In whose most prodigal eyes, the lineal pearl
And pride of all your lofty race of Leighs
Is destined to solution. Authorised
By sight and knowledge, then, you’ll speak your mind,
And prove to Romney, in your brilliant way,
He’ll wrong the people and posterity
(Say such a thing is bad for you and me,
And you fail utterly,) by concluding thus
An execrable marriage. Break it up,
Disroot it—peradventure, presently,
We’ll plant a better fortune in its place.
Be good to me, Aurora, scorn me less
For saying the thing I should not. Well I know
I should not. I have kept, as others have,
The iron rule of womanly reserve
In lip and life, till now: I wept a week
Before I came here.’—Ending, she was pale;
The last words, haughtily said, were tremulous.
This palfrey pranced in harness, arched her neck,
And, only by the foam upon the bit,
You saw she champed against it.
Then I rose.
‘I love love! truth’s no cleaner thing than love.
I comprehend a love so fiery hot
It burns its natural veil of august shame,
And stands sublimely in the nude, as chaste
As Medicean Venus. But I know,
A love that burns through veils, will burn through masks,
And shrivel up treachery. What, love and lie!
Nay—go to the opera! your love’s curable.’
Public-domain text, read in full here on John Shaqi.
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