This chapel is profusely enriched with ball-flower moulding, both inside and on the side next the ambulatory. It will be noticed that the windows are small and placed, for the sake of the security of the sacristy, high up in the south wall. In the south wall is a piscina, and close by on the south-east wall must have stood an altar. The window nearer to this has richer detail than the other two. In the south-west wall a small recess is formed inside a buttress. This may have been used as a safe for plate and other valuables in the charge of the sacristan. [Illustration: (_H.J.L.J.M._) THE VESTRY DOOR, SOUTH CHOIR AISLE.] A special staircase in the north-west corner, entered from the ambulatory, gives access to the room over the vestry. In this room, which has a fireplace, the sacristan probably slept. He was able from the windows on the stairs to see into the Vestiarium or Diaconum Magnum, and also into the choir. In fact, this view is one of the most interesting in the church. Two large square modern windows give light to this room, and a doorway in the east wall communicates with the space over the vaulting of the ambulatory and chapels. The room had originally a low timbered roof, as will be seen by the holes once occupied by the beams. There are two tombs of interest built into the wall between the vestry door and the south transept, and space for them has been cut out of the original Norman solid wall. One is quite plain and simple Early English work [M], and contains the remains of Abbot Alan, a man of learning and of considerable note, as he was a friend of Thomas à Becket, the great Archbishop of Canterbury. This is the only tomb of that period now surviving in the church, and it has been thought that he was the first of the abbots who was honoured with an intramural tomb. Close to Abbot Alan's tomb is another recess which now is without its coffin. The arch is pointed and crocketed with pinnacles at the sides. In the absence of a tomb the chief interest consists in the old encaustic tiles which have been transferred here from other parts of the building, a few of them having been found in 1875 under the then stone pavement of the choir. They are now safe here from the destroying power of the ubiquitous tourist's foot. On the south-east tower pier is a marble tablet in Renaissance style, erected in 1890 to the memory of Mrs. Craik, the author of "John Halifax, Gentleman," who is said to have written her story whilst staying at the ancient "Bell Inn" near the Abbey gate. The memorial was designed by Mr. H.H. Armstead, R.A., and is gracefully carried out entirely in white marble. The only fault in the memorial is that there is too much work in proportion to the size of the tablet. The topmost portion above the projecting cornice is a charming piece of work, illustrating Charity, but too high above the ordinary visitor's head to be seen or appreciated as it should, and the group rather overweights the memorial.