Bell's Cathedrals: The Cathedral Church of Ripon: A Short History of the Church and a Description of Its FabricHallett, Cecil Walter Charles
History
Bell's Cathedrals: The Cathedral Church of Ripon: A Short History of the Church and a Description of Its Fabric
Hallett, Cecil Walter Charles
Ripon Cathedral
The well-marked plinth of this east end has been already noticed. Either
corner of the choir contains a staircase, and is strengthened by a pair
of massive buttresses and crowned by an octagonal turret with a conical
stone cap and a finial. These buttresses have a projection of 8 feet,
rise to the top of the aisles, and are surmounted by gables with
finials, and at the north corner the gables and the coping of the aisle
are crocketed. At the south corner the upper part of the turret has
been used as a cell. It is lighted by a small slit and has a wooden
floor with a trap in it, from which a ladder once descended to the head
of the staircase; and at the west side, in the parapet of the aisle,
there is a garderobe seat. It would be interesting to know whether this
turret was a prison, or a place of penance, or whether it was occupied
by a watchman or sentinel, or, as is not improbable, by one of those
recluses who were so often attached to religious communities in the
middle ages. The central compartment is flanked by two huge buttresses,
which have a projection of 10 feet at the bottom and rise to the base of
the gable, or rather a little above it, in two stages only, the lower
stage reaching a little above the coping of the aisles, and both stages
are crowned by gables with finials.[52] The three compartments of the
front are on the same plane. Each aisle shows at the end a window of the
same pattern with these in the sides, and that in the south aisle has
foliage on the capitals of its shafts and is surmounted by a little
window of trefoil form which lights a staircase within, for staircases
ascend over these windows in the thickness of the wall and run up the
angles of the clearstorey.
Public-domain text, read in full here on John Shaqi.
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